A Conversation with Brian Blanchfield.
“When I initially set myself the constraint you describe, to write analytically about a particular object or phenomenon or concept, one at a time, without access to outside authority, I didn’t have the sense this would be a book, much less a book that could be called a memoir.”
The distance between a man and the moon is a spider hiking the Oregon Trail. The distance from a spider to the end of her six-inch silk tether is a man drifting on a sixty-foot umbilical. A man tumbling from end to end of a space station is a spider free-falling down a four-foot web.
Once you could sit in a boat right over the spring source, hemisphere of sky above, hemisphere of water below, and it would be as if you hung suspended between the elements inside a perfect globe of morning-glory blue. Once, but not now, not anymore.
An excerpt from a play by Charles Portis, with an introduction by Jay Jennings.
MR. PALFREY: Oh, I know what I want. I just don’t see it here. What I want is a fat yearling coon roasted with some sweet potatoes. What I want, young lady, is some salt-cured ham that’s been hanging in the smokehouse for about two years, along with five or six big cathead biscuits, and some country butter and ribbon cane surrup. But I can’t get that, can I?
KATE: You can’t get it here.
The journey in all its forms—going to, running from, wandering about, flying over, migrating, dispersing, coming back, moving on—is an ideal climate for narrative.