July 16, 2019

On Nochoway documents the efforts of photographer Anna Norton’s family to restore two hundred fifty acres of mismanaged woodlands to a sustainable ecosystem through controlled burning and the reintroduction of native species.

May 29, 2019

In his project, Piedmont, Graham Hamby comments on the cycle of land development—creation, disrepair, and abandonment—with photographs of painted murals, abandoned storefronts, and spare landscapes.

September 26, 2016

How to Orient Yourself in the Wilderness began as a way for photographer Jack Deese to distance himself from a documentary practice that had grown stale.

October 31, 2016

Justin Ward’s Unmanned Landscapes uses a consumer-grade unmanned aerial vehicle to photograph Savannah, Georgia’s suburbs.

November 14, 2016

A skateboarder, John Prince spent his formative years in spaces designed to be invisible and ignored. The Near and Elsewhere explores the idea of place and what defines it.

November 21, 2016

Slowly, Over Time is a documentary of Parker Stewarts neighborhood in Savannah, Georgia, recorded over a half decade.

December 19, 2016

Known as the most haunted city on the east coast, Savannah, Georgia, is a place where people come and go, where, for many, it is easier to leave and forget than it is to stay and thrive. Carson Sanders moved to the Ghost Coast in the fall of 2009 and began to photograph those who make their home here.

February 12, 2019

Told though the hybrid means of diptychs, overlaid polaroids, archival materials, and more, Alec Kaus’s Haunts and Related Incidents creates a “nebulous yet self-contained constellation” of images inspired by the W.P.A. Georgia Writers Project collection.

February 02, 2017

These photographs are fragments from William Price Glaser’s unwritten novel; moments he’s imagined (then found) during his time in the South.

April 03, 2017

In Take Me to the River, Michael Kolster explores the Androscoggin, Schuylkill, James, and Savannah Rivers as they emerge from two centuries of industrial use and neglect.

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