The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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I had this idea that I could arrive in Macon, Georgia, via rental sedan, nose around for a day or two, and figure something out about the South, and rock music in the South, and men in the South, and men, and death, and guitars, and the Allman Brothers Band, who, in the late 1960s, engineered a new style of rock music that was deeply and earnestly influenced by rhythm & blues but also by something else—some wildness I couldn’t isolate or define or deny.
The 1960s were coming to a close when rising country rock musician Gram Parsons posed next to Nudie Cohn, the celebrated Western-wear designer more than three times his senior, for a photoshoot. Neither of them would have predicted that Parsons’s “Nudie suit”—embroidered with rhinestone-studded marijuana leaves, sequin-dotted poppies, and sugar cubes laced with LSD—also foretold of his death.
Twelve years ago, the historical reissue label Dust-to-Digital released a six-disc masterpiece of early spiritual recordings called Goodbye, Babylon. Lance Ledbetter, who runs the Atlanta record company with his wife, April, is working on another project that will match Goodbye, Babylon in size and scope. That is, if they can finish it.
At forty-three, Rico Wade’s still got something to prove. Most people with music industry aspirations find a way to build a business. Rico built a family instead. Then he discovered why family and business rarely mix. But when your past is OutKast and your present is a rapper named Future, it ain’t over till the last ATLien sings.