FB SC Pre Order

 

Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

We’re so excited to reveal the cover of our 21st Annual Southern Music Issue! Featuring unforgettable songs and stories from South Carolina, the issue includes voices ranging from the Upstate to the Lowcountry, highlighting icons like Dizzy Gillespie and Eartha Kitt, as well as contemporary artists such as Shovels & Rope and Ranky Tanky.

Our cover star is NASA astronaut Ronald McNair, who became a physics (and music) pioneer when he brought a soprano sax into orbit in 1984. A native of Lake City, South Carolina, McNair died tragically in the Space Shuttle Challenger disaster two years later. In a revelatory and thoughtful feature in the issue, Jon Kirby speaks with McNair’s family, friends, and colleagues, who remember him not only as a famous astronaut but also a devoted, one-of-a-kind musician. 

To be the first to read this and other stories recognizing South Carolina’s vibrant music scene, pre-order the South Carolina Music Issue & Sampler today. The issue comes packaged with a CD compilation and digital download card.

Issues will ship in early November.

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Malinda Maynor Lowery

Malinda Maynor Lowery is a member of the Lumbee Tribe of North Carolina and is author of The Lumbee Indians: An American Struggle. She is an associate professor of history and director of the Center for the Study of the American South at UNC Chapel Hill.

November 20, 2018

A Points South essay from the North Carolina Music Issue.

The songs I heard growing up, sung at family gatherings, and later as I documented music in recordings at Lumbee churches, ring with longing and sometimes nostalgia. They were standard Protestant hymns, Southern gospel tunes, or shape-note classics, straight from the Broadman hymnal or from J. D. Sumner or the Gaither family: “I Feel Like Traveling Home,” “Hard Working Pilgrim,” “I Am His,” dozens more. The talented ones in my family often learned them not by reading the music but playing by ear, molding and adapting the arrangement and harmonies to suit our preference. Not so much the songs themselves, but the way we sing, especially the emphasis on harmony and blend—the need for every person to have a part but no one to stand out—is what demonstrates our togetherness and uniqueness.