Chuck Stewart’s photography provided by Fireball Entertainment Group, courtesy of Chuck Stewart Photographs of John Coltrane, Archives Center, National Museum of American History, Smithsonian Institution
When Ben Metcalf’s first novel, Against the Country, was published in January of this year, it drew scant attention from the world we designate “literary,” and none from the marketplace of what we call ideas. But another look reveals that Metcalf seems guilty beyond a reasonable doubt of sentences written with intent—sentences of extraordinary interest and beauty, originality and art, drama and delight.
Source and Confluence, by Scott Jost, explores the origins and tributaries of the Chesapeake Bay watershed. Through his images of floods and rapids, scenic overlooks and weedy river banks, Jost searches for signs of balance between human interests and natural systems.
For the past month, The William King Museum in Abingdon, Virginia, has presented Transience a group photography exhibition showcasing the work of Trish Gibson, Joshua Harr, and Amber Law, three students from East Tennessee State University. Exhibited collectively, the trio’s work examines the fleeting nature of personal experience and how local environments change over time.