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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.

Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky: 

The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Toro y Moi, Shovels and Rope, and, of course, Ranky Tanky.

As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.

Pre-order your copy today. Issues will ship the first week of November.

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April 14, 2016

A photography feature from our Spring 2013 issue.

The landscape photography of J Henry Fair explores the permeable boundary between unearthly beauty and unspeakable environmental destruction.

April 05, 2016
I’m talking about Doug Sahm . . . the walking-est, talking-est, song-singing-est, guitar-playing-est personification of Texas music to ever pop a top off a Lone Star beer. 
April 05, 2016

His songs have been recorded by the Dead Milkmen, Yo La Tengo, Pearl Jam, Beck, and Tom Waits. Kurt Cobain was often photographed wearing one of his Hi, How Are You t-shirts. David Byrne sang his praises, Bill T. Jones choreographed a ballet to his music, and Matt Groening said he was his favorite songwriter. According to Bowie, “Daniel Johnston is an American treasure.”

April 05, 2016
Canvassing Texas for undocumented songs and sounds, Owens stumbled across the big secret: field recording is holy work, eavesdropping on the unsyndicated histories of the world.
April 05, 2016
He was a small man, 5'6" and about 160 pounds, a smoker in his mid-forties. His face was disfigured by a crushed nose that never properly healed. He had cut scars on his shoulder and right forearm. He was a Baptist and wore a size 7 shoe.
March 29, 2016

The result: as many as a million and a half feral hogs rampaging through Texas, growing as big as sofas, tearing up farmland and creek bottoms with their root-rooting snouts. They gobbled up baby lambs and caused car wrecks. They carried pseudorabies, swine brucellosis, tuberculosis, bubonic plague, tularemia, hog cholera, foot-and-mouth disease, kidney worms, stomach worms, liver flukes, trichinosis, roundworms, whipworms, dog ticks, fleas, hog lice, and anthrax. Their tusks were “razor sharp,” the pamphlet said, and their gallop as fast as “lightning.” Lest some shred of sympathy stay my hand from indiscriminate slaughter, the pamphlet threw in the lurid detail that feral sows had been known to eat their own young. 


February 21, 2017

I’ll See You On The Beach addresses sites that commemorate the American legacies of exploration, conquest, and the instillation of nationalism by way of stimulating displays.

February 10, 2017

Around two thousand years ago a woman died in Greek-speaking Asia Minor, near the ancient city of Aydin, in what is now Turkey. Her name was Euterpe, after the muse of music. Her husband or son, Seikilos—his relationship to Euterpe depends on how you read a gap in the dedication line—commissioned a stele, a stone memorial, which bore the following words, etched in Greek: “I am a tombstone, an image. Seikilos placed me here as an everlasting sign of deathless remembrance.” 

January 23, 2017

For Zachary McCauley, making a home in the South is a matter of welcoming the often overlooked, banal moments of the land and people.

April 16, 2016
The music of Texas is as vast and hard to define as the Lone Star state itself; it covers every genre of American music—transcending culture, race, language, and historical circumstance—and yet reveals a distinctive soulprint that you won’t hear anywhere else.