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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.

Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky: 

The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.

As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.

Pre-order your copy today. Issues will ship the first week of November.

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September 03, 2019

A short story from the Fall 2019 issue

Hello, Dolly! is awful, and Patrick knows it. The sets and costumes are all Crayola colors and the music is mercilessly perky and nobody can say a word without shouting and clicking their heels. It’s the kind of feel-good musical that makes you want to slit your wrists. Nobody wants to do Medea again, but there are plenty of audience favorites out there better than Hello, Dolly!

September 03, 2019

A selection of short stories in the Fall 2019 issue

He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen a ghost before, nor indeed believed in them. Nervously he called her over to his cart.

September 03, 2019

A story from the Fall 2019 issue

And that was the day she invented it, this particular glazed expression of hers. She had created it to please her father, but it had served her well in her life. When she wore it, most men thought she was listening to them, and most women knew that the conversation was over. 

February 28, 2019

A feature short story from the Spring 2019 issue.

Their romance has started in earnest this summer, but the prologue took up the whole previous year. All fall and spring they had lived with exclusive reference to each other, and were viewed as an unspoken duo by everyone else. Little remarked, universally felt, this taut, even dangerous energy running between them. When that began, it was harder to say.

September 03, 2019

A featured short story from the Fall 2019 issue.

She took a trowel and dug. After a few minutes, Antonia disappeared into the shed and came back with a shovel. She thrust it into the ground and stomped. Deeper and deeper she dug. When she deemed it complete, she lay down, burying herself neatly with dirt. 

 

September 04, 2018

A featured short story from the Fall 2018 issue.

Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who painted from corpses, memorializing deceased sons and daughters for their families. People often said Thomas had the constitution for the work because he and Harriett had not been able to have children of their own. While Thomas traveled the countryside—following up with commissions, measuring cadavers that he would reanimate in two dimensions—Harriett was left alone at their farmhouse.

September 03, 2019

A feature short story from the Fall 2019 issue.

The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t remember. When it’s gorgeous outside and you work up the nerve to be part of something but not enough nerve to brush your hair, that’s the godmother. Maybe you stay up too late and are tempted to give yourself completely to unrequited obsessions. That’s the godmother’s doing, too.

 

March 19, 2019

A featured short story from the Spring 2019 issue.

I understood that he had a crush on me, because there is no service that deserves a greater-than-one-hundred-percent gratuity, but the money seemed harmless when it came out of his wallet, like something he’d found and was simply leaving for me to deal with. And after a month of this, I realized that I was making fifty extra dollars a week because of this man. I wasn’t attracted to him, but I was fond of him, I guess because he gave me fifty dollars a week for remembering that he liked Heinz 57.

June 11, 2019

A featured short story from the Summer 2019 issue.

Mother had no shortage of repulsive qualities, but the most disturbing was her laugh. Otherworldly. Piercing. A stranger would fall on the ice or a double-crossing cop would get his comeuppance from a mobster on television and this wretched, menacing cackle would emerge as though she kept a raven on a choke-chain between her gargantuan breasts.

June 11, 2019

A featured short story from the Summer 2019 issue.

You’ve always wished your mother, who is so deft with the cards, would learn to read fortunes. You want her to tell your future, holding nothing back. You want all of it confirmed, your luck and your losses. You haven’t asked her, though. You can imagine her shaking her head, incredulous again that you, superstitious girl, are her daughter. That you long to convert each game into a prophesy.