Featuring unforgettable songs and stories from South Carolina, the issue includes voices ranging from the Upstate to the Lowcountry, highlighting icons like Dizzy Gillespie and Eartha Kitt, as well as contemporary artists such as Shovels & Rope and Ranky Tanky.
Our cover star is NASA astronaut Ronald McNair, who became a physics (and music) pioneer when he brought a soprano sax into orbit in 1984. A native of Lake City, South Carolina, McNair died tragically in the Space Shuttle Challenger disaster two years later. In a revelatory and thoughtful feature in the issue, Jon Kirby speaks with McNair’s family, friends, and colleagues, who remember him not only as a famous astronaut but also a devoted, one-of-a-kind musician.
Order the South Carolina Music Issue & Sampler today. The issue comes packaged with a CD compilation and digital download card.
Sign up for our newsletter to stay up-to-date on all things OA.
A Letter from the Editor, Summer 2018.
Sometimes we go on journeys just for fun, and sometimes we go because we have to, even when it’s hard. In our third annual Southern Journeys summer feature, five writers travel far and near in search of understanding: about their personal histories and roots, about our neighbors and changing landscape. Lucas Loredo, a Texan whose family escaped Castro’s regime in 1960 on the second-to-last boat allowed out of Cuba, visits Havana and the town of Nicaro in an effort to heal a painful feud. On the Cumberland Plateau, Lisa Coffman trails an infamous historical fugitive as she forms an unlikely friendship born from a love for “the peculiar character of the land itself.”
You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates to the entire construct of Florida—the mythology of the state as a paradise preserved in time just for you.
A dialogue between Sarah Viren and Clinton Crockett Peters
I’ve always been drawn to the misfits because they’re not beautiful, because they’re stinky, because people kind of hate them and dislike them. Essays seem perfect for this subject matter because they are so amorphous, and there’s a long essay tradition of cataloging the weird, going back to Montaigne and cannibals and Sei Shōnagon and “Hateful Things.”