Chuck Stewart’s photography provided by Fireball Entertainment Group, courtesy of Chuck Stewart Photographs of John Coltrane, Archives Center, National Museum of American History, Smithsonian Institution
In Lexington, where I’m from, a federal medical prison stands on the town’s west side. Far off the main road, it does not ask our attention as we drive home from the Kroger’s or Goodwill—another sight among many in our urban pastoral. Not so long ago, this building held the nation’s attention as the world’s leading drug rehabilitation center, constructed to save civilization from the addict, and the addict from himself. Though, if the United States Narcotic Farm is today known for anything other than its eventual failure, it’s for the legendary figures who came there.
The moon shines over the Delta. A poet wanders home in the dark, her shadow extended by a streetlamp that flickers on, then off again. Alone in a bar, a young detective scratches hasty notes. She thinks she can hear the bartender humming Sam Cooke’s “You Send Me.”
Five poems from the spring 2014 issue.
Across the white highway, dogs drift unmoored
Silver-tipped seagrass, but no cactus. An offing
of shopping plazas, their harsh light and low roofs.
That's the way with drought; first dissent,
a worm belief that one place could be another.
I bet it feels good to twist a head of cotton
clean from the stem's fat and browning boll.
I bet it feels good to stand in irrigated rows.