Chuck Stewart’s photography provided by Fireball Entertainment Group, courtesy of Chuck Stewart Photographs of John Coltrane, Archives Center, National Museum of American History, Smithsonian Institution
From Cries for Help, Various
I make a good firm precise cut with the razor blade into the cork, from one side of the cork to the longitudinal axis. The cork is a segment of a cone, the diameter of one end approximately twice that of the other end, both ends flat. I am too stupid to know the name of this geometric figure and too stupid to know offhand, or even with industry, where to find out the name.
The year before Paul MacLeod, the owner of Graceland Too, died of natural causes on his porch just two days after he shot and killed a local house painter, I drove my partner, Mesha, down South so that she could experience Paul’s museum firsthand.
We sat cross-legged on the cement floor of a warehouse in the Upper Ninth Ward, not far from the train tracks. In the center was a small wooden house with singing pipes built into its walls. This was Chateau Poulet, a musical shanty about to perform for all of us.
More than two months before opening arguments in the landmark same-sex marriage cases before the U.S. Supreme Court, Reverend Jasmine Beach-Ferrara stood in a limbo of sorts, between the Arlington County courthouse and the county jail. “Right now, we are second-class citizens in the South,” she said. “What’s happening today is about us telling our country a story that we hope can open people’s hearts and minds.”