Chuck Stewart’s photography provided by Fireball Entertainment Group, courtesy of Chuck Stewart Photographs of John Coltrane, Archives Center, National Museum of American History, Smithsonian Institution
A Conversation with Joan Shelley and Nathan Salsburg
I understand that if you’re a record store, you have to sort things and folk is an easy category for us to fall into. But if you’re a music nerd and a music writer then you would not say folk; folk wouldn’t mean a confessional songwriter, which is what I am. Folk music should be communal, something like, “You guys know this one? Here, sing along.”
The Louisville trio Maiden Radio—Cheyenne Marie Mize, Julia Purcell, and Joan Shelley—took the reins on gathering a contemporary octet of Kentucky women, inviting Linda Jean Stokley and Montana Hobbs of the Local Honeys, Heather Summers and Anna Krippenstapel of the Other Years, and Sarah Wood to join them. They recorded their version at Louisville’s Locust Grove in August 2017. The text—past the first two verses—is a composite of their own.
The music made by the Booker Orchestra of Camp Nelson, Kentucky, has been almost completely obscured by time. In that distinction, it’s representative of many of the contributions made, to the Commonwealth and to the country alike, by rural black Kentuckians. Jessamine County’s Camp Nelson was a major site for recruitment and training of African-American soldiers in the Civil War, and more than ten thousand United States Colored Troops and their families cycled through during and after the war.