OA99 COVER AND CD Medium Res WEB

19th Annual
Southern Music Issue & CD
featuring KENTUCKY

From 2009 until 2015, our music issue featured a different Southern state every year (raise your hand if you’ve got them all: Arkansas, Alabama, Mississippi, Louisiana, Tennessee, Texas, and Georgia).
Last year, we departed from the series to examine “Visions of the Blues.

In 2017, we are returning to the state series. And we are thrilled to share that it’s your turn, Kentucky.

The Commonwealth gave us musicians like Loretta Lynn and Nappy Roots, Richard Hell and Bill Monroe—just to name a very few—and beloved writers like Crystal Wilkinson, Ronni Lundy, Silas House, and our own poetry editor, Rebecca Gayle Howell. This is just a taste of Kentucky and a taste of what’s to come.

As always, the issue will come packaged with a CD (+ free download) of songs, with liner notes in the magazine.

On newsstands November 21, 2017 — Order your copy here.

The issue will mail to subscribers on November 7, 2017 — subscribe today.

WUKY Logo Horizontal PMS 286

June 14, 2018

An installment in our weekly series, The By and By. 

Violence as a concept is easy to oppose, but it is harder to condemn human beings tangled in the various machines of violence that permeate our world. I’m unable to clear the hurdle of invalidation it takes to dismiss a person completely; I find myself more dismayed than critical. My opinions about violence, war, and guns, however deeply rooted, are predicated upon second-hand knowledge of others’ experience.


April 26, 2018

An installment in our weekly series, The By and By. 

It is easy to dismiss a person as ignorant; it is hard to recognize the ways in which I am still ignorant. My ego retaliates violently against this possibility because it threatens my self-image as a Good Person, the moral superiority that enables me to pity those with whom I disagree from the relative safety of higher ground.

March 29, 2018

MONDAY, JUNE 18, 2018 at 6:00 PM | LITTLE ROCK

An evening to elevate your spirit and support the cultural health of your community, benefitting the Oxford American.

 

March 08, 2018

An installment in our weekly series, The By and By. 

It was devastating to find how much I enjoy quiet. For a person whose life is consumed by music, it felt like blasphemy. The first time that I sat down to play guitar and nothing came out, I was terrified.

January 26, 2018

Mary Gauthier and the art of writing war.

She’s a queer Opry star and recovering heroin addict turned postwar Virgil. A surrogate of sorts for the new war narrative. “I have done this process on myself for twenty-odd years and ten records, so I know where we’re trying to get.” Mary’s cowriting with veterans isn’t about slogan or ritual.

November 16, 2017

An installment in our weekly series, The By and By. 

My greatest, greatest fear: to be a hobbyist, an artist on the side. I’ve prided myself on being a working artist for my entire adult life, as if it were the very backbone holding me upright. But the artist hustle written on my face isn’t working. 

November 21, 2017
The Old Regular Baptists and the joyful sound.

The Old Regulars sing loud. “You can’t whisper it, it needs to have zip,” one told me. Another: “If you can’t shout down here, what are you gonna do when you get to Heaven?” There is an orderliness to their singing, a formal quality—it has the shape and thrust of liturgy. But it is also indisputably wild.

November 21, 2017

When I was growing up here in the 1980s, the larger world told us we had nothing to be proud of. As Eastern Kentuckians, we knew better. We had our people, our work ethic, and our land. And we had our internationally known musicians: Loretta Lynn, Tom T. Hall, Jean Ritchie, Patty Loveless, Dwight Yoakam, many others. In our little corner of Southeastern Kentucky, we had the Phipps Family—lesser known but still a great source of pride for us.

November 21, 2017

A few seconds in, there came this sound. It filled the song and then it filled the room I was listening in. What was that? Like a fiercely shaken box of tacks. Like wind rattling dry leaves on a tree. But not either of those. Comparisons couldn’t capture it.

November 21, 2017
Everybody wants to be Southern but don’t nobody want to be Southern, too. To enjoy the culture, to have gentrified ham hocks, but not to deal with ham hocks’ relationship to slavery or slavery’s relationship to the present and future. Folks want the fried chicken and Nashville and trap country music (an actual thing) and sweet tea, but they don’t want Dylan-with-an-extra-“n” Roof or the monstrous spectacle and violence in Charlottesville or the gross neglect and racism after Katrina. No one wants the parts of the South that make America great again.