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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.

Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky: 

The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Toro y Moi, Shovels and Rope, and, of course, Ranky Tanky.

As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.

Pre-order your copy today. Issues will ship the first week of November.

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July 23, 2012
“Take it off now!” he said, and put the gun back against my neck. Now I had no control. Somehow, I felt as if I’d had a distinct advantage, some power, in being smarter than them. Even if I had been a hundred times smarter than both of them put together, once that gun was back at my neck, I realized I had no power whatsoever.
July 14, 2015

The year before Paul MacLeod, the owner of Graceland Too, died of natural causes on his porch just two days after he shot and killed a local house painter, I drove my partner, Mesha, down South so that she could experience Paul’s museum firsthand.

July 02, 2015

Selling fireworks has traditionally been the province of carny types and college kids, though lately there’s been a change in this small Mississippi slice of the industry. I had driven up from New Orleans, where I live, to join a group of twenty-going-on-thirty-somethings from Lawrence, Kansas, led by my friend Cyrus, to sell fireworks in these hinterlands.

July 02, 2015

The first time I admitted that yes, I was related to Francis Scott Key, it came as a shock, even to me, because, of course, I was lying. While my other college friends experimented with drugs and God, I experimented with genealogy.

June 12, 2015

In the middle of downtown Jackson stands a triangle of statues carved in rough-hewn stone, their backs to each other, facing out toward the city: William Faulkner, Richard Wright, Eudora Welty. But Faulkner doesn’t belong, and in his place should be Margaret Walker. Wright, Welty, Walker: those are our Jacksonians, the old guard, the outsiders of gender and race and class whose stony shoulders we stand upon.

September 05, 2013
There are six sisters in this story, and one brother, all educated in a one-room schoolhouse, eighty children and one teacher. It’s a story that comes from slavery, which Americans don’t like to talk about any more.
May 12, 2015

An interview with the photographer from 1999.

I suppose one definition of propaganda (or pornography?) might be: art that denies the mysterious.

March 24, 2015

Inspired by stories of Hurricane Camille, which devastated the Mississippi coast in 1969, Thomas Pearson explores the ways that communities collectively navigate natural disasters. In Flesh Like Grass Pearson focuses on the tornado-ravaged town of Columbia, Mississippi, as well as the post-Katrina landscape of the Gulf Coast.

March 12, 2015

Early in 2014, Lewis Hyde, the author of The Gift, came to Jackson, Mississippi, to visit with others who volunteered to spend a handful of months in 1964 teaching and canvassing in the most violent province of Dixie. This was not like most reunions, for people at such events don’t normally talk about the first time they suffered police harassment or were tailed by the Klan, and they don’t screen a movie that was recently made about their experience and then discuss the ways in which the film felt authentic or not.

August 02, 2013

In memory of T-Model Ford. 

Though they started slow and sparse, Ford’s songs revved up quickly, clattering along like a procession of old Cadillacs, their motors jimmied together with wire hangers, the rhythms more beautiful for their brokenness.