The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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Mike Frolich’s artistic legacy in the Saturn Bar
One of my many justifications for keeping the devil was Frolich’s claim that his paintings were created in part for the children of the Ninth Ward, more of whom run through our house than the Saturn Bar. Kids need a relationship with their devils as much as adults do. Instead of renouncing or banishing them, children should know their features and particular hues, their habitats and gestures. Keeping them in steady sight, they’re easier to manage.
A featured short story from the Summer 2019 issue.
You’ve always wished your mother, who is so deft with the cards, would learn to read fortunes. You want her to tell your future, holding nothing back. You want all of it confirmed, your luck and your losses. You haven’t asked her, though. You can imagine her shaking her head, incredulous again that you, superstitious girl, are her daughter. That you long to convert each game into a prophesy.
A Southern Journey from the Summer 2019 issue.
He began the letter by asking Larry to cremate him and scatter his ashes next to his second wife’s ashes at Johnson Beach in Perdido Key, Florida, “approximately 75 yards from end of road, then straight out to the beach . . . where lovey’s ashes were scattered.” Then, Tom addressed the business of his art. “Now Larry,” the letter read. “I know you don’t know shit about art but DO NOT destroy my work.”
An installment in our weekly series, The By and By.
We compliment his lovely plumage. “Color doesn’t matter,” Laurel says, even though this is the only quality that strikes a newcomer at all—how pretty that dusty gray one is! What a fine burgundy comb! Foolish are the uninitiated.
Taken in moments of tranquil cohabitation rather than scenes of flooding and disaster, Virginia Hanusik’s photographs interrogate the commonplace existence of communities touched by South Louisiana’s struggle with sea-level rise. “Despite the uncertainty that rising seas and coastal erosion bring to the region,” Hanusik writes, “there is hope found in the history of building practices and land migration patterns that are responses to environmental change.”
In a combination of materials—from municipal maps, to snapshots of demolition, to juxtaposed scenes of overpasses and children at play—Warwick aims to portray the challenging legacy of Old South Baton Rouge, while gesturing toward the strength and promise of its contemporary residents.