The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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Nothing I met in Egypt, Kentucky, was like I imagined, except the cliché of rolling hills and craggy mountains. Except the poke, and other ground cover, green. No guns were visible except the Confederate flags that flew, that hung limp, wrapped in a wan clutch, not fluttering, clinging to their poles.
In 2017, we’re featuring the music of Kentucky, highlighting some of the Commonwealth’s most enduring legends and local favorites while celebrating overlooked and lesser known musicians. With contributions from Sturgill Simpson, James Lindsey, Bill Monroe, Julia Perry, King Kong, and Loretta Lynn, this 27-track compilation includes songs from 1927 to the present.
From the Winter 2005 issue.
It’s been said that more has been written about Muhammad Ali than about Abraham Lincoln, Jesus Christ, and Napoleon, a claim that’s difficult to prove, but which suggests a truth: the media dedicated to Ali—books, articles, photographs, films, music, and various ephemera—is staggering.
In Lexington, where I’m from, a federal medical prison stands on the town’s west side. Far off the main road, it does not ask our attention as we drive home from the Kroger’s or Goodwill—another sight among many in our urban pastoral. Not so long ago, this building held the nation’s attention as the world’s leading drug rehabilitation center, constructed to save civilization from the addict, and the addict from himself. Though, if the United States Narcotic Farm is today known for anything other than its eventual failure, it’s for the legendary figures who came there.
Seven photographs by Ralph Eugene Meatyard.
Central Kentucky in the 1960s was a gathering place for unusual talent. Guy Davenport wrote, painted, and taught in Lexington with his friend the photographer Ralph Eugene Meatyard just down the road. Wendell Berry was around, too, teaching creative writing at the University of Kentucky, until he moved up to Henry County to farm. Thomas Merton lived in a country monastery to the southeast.
Cooking with Chris. My approach to cooking is one of passionate intensity that traditionally involves a great deal of what used to be called “blue” language, or plain old-fashioned cussing. My current kitchen project will be a trial, since I intend to follow a recipe for “Bible Cake.”
In the early 1990s, New Life Fitness & Massage kept its lights on twenty hours a day, closing at five every morning and reopening at nine. Everyone in Oak Grove knew it was a brothel. Fort Campbell, one of the nation’s largest Army posts, sits on top of the Kentucky-Tennessee border, and New Life stood right outside its northern gates next to Interstate 24. Many of its clients were Screaming Eagles: paratroopers from the famous 101st Airborne Division. Most of the others were truckers off the highway and locals of all stripes; some say judges and other dignitaries would come up from Nashville, an hour down the highway, to be ushered in and out covertly.
When I was growing up here in the 1980s, the larger world told us we had nothing to be proud of. As Eastern Kentuckians, we knew better. We had our people, our work ethic, and our land. And we had our internationally known musicians: Loretta Lynn, Tom T. Hall, Jean Ritchie, Patty Loveless, Dwight Yoakam, many others. In our little corner of Southeastern Kentucky, we had the Phipps Family—lesser known but still a great source of pride for us.