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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

We’re so excited to reveal the cover of our 21st Annual Southern Music Issue! Featuring unforgettable songs and stories from South Carolina, the issue includes voices ranging from the Upstate to the Lowcountry, highlighting icons like Dizzy Gillespie and Eartha Kitt, as well as contemporary artists such as Shovels & Rope and Ranky Tanky.

Our cover star is NASA astronaut Ronald McNair, who became a physics (and music) pioneer when he brought a soprano sax into orbit in 1984. A native of Lake City, South Carolina, McNair died tragically in the Space Shuttle Challenger disaster two years later. In a revelatory and thoughtful feature in the issue, Jon Kirby speaks with McNair’s family, friends, and colleagues, who remember him not only as a famous astronaut but also a devoted, one-of-a-kind musician. 

To be the first to read this and other stories recognizing South Carolina’s vibrant music scene, pre-order the South Carolina Music Issue & Sampler today. The issue comes packaged with a CD compilation and digital download card.

Issues will ship in early November.

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August 25, 2013

Why would a woman decide to marry God?

May 10, 2016

After Katrina, a New Orleans soccer team comes home.

In February 2006 we picked up the pieces of our season. Again we were a traveling band of groupies, following our sons.

March 19, 2019

A feature essay from the Spring 2019 issue.

As in all cities, the story of displacement and discrimination is as old as the municipality’s. And while it might seem like a somewhat ahistorical cheap shot to draw a direct, incriminating line from Spindletop’s boom to the swath of corporations that now dominates Houston and its high-risk neighborhoods, the residue of truth is there. Houston, like every other metropolis, abets the long history of industry-induced subjugation that manifests, visibly and invisibly, as endemic environmental racism. It’s written into the city’s code, embedded from day one in the place’s naïve aspirations of itself.

December 01, 2014

By early summer, Houston is so muggy that all the edges blur. Temperatures slink into the low 90s and stay there. In certain neighborhoods, the smell of weed lingers, lending the air a permanent tang. Slabs, creeping slowly down the street, broadcast a sound indigenous to the city, a sluggish hazy rhythm that couldn’t have been born in any other town.

September 09, 2015

Sweet Jones: Pimp C’s Trill Life Story, the frustrating and fascinating new biography by Julia Beverly, is a bizarre document, and a necessary one: by the time of his death in 2007 at age thirty-three, Pimp C had become recognized as one of the most exciting and influential producers in rap, his drawling, raspy snarl one of the genre’s most iconic guttural expressions.

January 16, 2015

Before Berry Gordy started Motown—before Russell Simmons and Suge Knight were even born—Don Robey epitomized what it meant to be a black music mogul. Working in Houston from the 1930s until his death in 1975, Robey discovered Clarence “Gatemouth” Brown. His record company released the original version of “Hound Dog,” and he made Bobby “Blue” Bland a star. Ike and Tina Turner, B.B. King, and Little Richard were clients of his booking agency, and T-Bone Walker, “Big” Joe Turner, and Wynonie Harris all regularly graced the stage at his nightclub, where legendary after-parties saw the likes of Sister Rosetta Tharpe jamming with Big Bill Broonzy and Louis Jordan. 

March 30, 2016

There is a name buried deep inside the treasure troves of long-dormant record labels, a name that is whispered among soul music’s true believers: O. V. Wright. He sang like God was sitting on his shoulder, urging him to bear witness to the pain that comes with hardship.

September 18, 2017

A flood is no cooperative beast. It doesn’t distribute itself uniformly. Its edges stretch and shrink, and Houston lay underneath a giant, erratic web of floods, not a single sea but multitudes of individual ones, sprouting like fungus in the city’s every depression.

February 26, 2015

On Texas, old newspapers, race music, and two black lives that shaped the history of civil rights

In 1891, C. N. Love noticed how much money other state’s newspapers were making on his labor and connections. He started the Navasota Echo, one of the first black papers in Texas, “the cheapest and best colored paper published west of the Mississippi,” he boasted, calling it a publication “devoted to the interests of the people in general and the negro in particular.”

March 06, 2015

On Texas, old newspapers, race music, and two black lives that shaped the history of civil rights.

C. F. Richardson was self-avowedly “militant.” He used the word and lived it. On his draft card he identifies his race as Ethiopian. For a while he was employed as a printer, then as a night-watchman at a white newspaper. Through a connection he got himself hired as an editor at the black-Baptist Western Star, moving from there to the Houston Observer, where he started to write and make his name.

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