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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.

Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky: 

The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Toro y Moi, Shovels and Rope, and, of course, Ranky Tanky.

As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.

Pre-order your copy today. Issues will ship the first week of November.

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November 21, 2017

Track 5 – “Rainbows” by James Lindsey FEAT. Cicily Bullard

When Lindsey raps “I’m talking rainbows,” I think he must be talking black joy. I think he must be talking the kind of rainbow you see in the shimmer-swirl of color that floats over the curve of a soap bubble. How alike they are, soap bubbles and black joy: Beautiful. Carefree. Tenuous.

November 21, 2017
Everybody wants to be Southern but don’t nobody want to be Southern, too. To enjoy the culture, to have gentrified ham hocks, but not to deal with ham hocks’ relationship to slavery or slavery’s relationship to the present and future. Folks want the fried chicken and Nashville and trap country music (an actual thing) and sweet tea, but they don’t want Dylan-with-an-extra-“n” Roof or the monstrous spectacle and violence in Charlottesville or the gross neglect and racism after Katrina. No one wants the parts of the South that make America great again.
January 29, 2016

MC Shy D brought hip-hop to Atlanta. Or anyway, he brought Atlanta to hip-hop—in the mid-eighties, he was the first rapper from the city to break out of it, to tour the country and make a name for himself. He became an object of adulation to the whole region.

December 17, 2015

At the age when most rappers have effectively retired, burned out, or become irrelevant altogether, Killer Mike is releasing some of the best music of his career to the widest audience he’s ever reached.

December 22, 2015

While urban hip-hop ushered in an era of “bling” and hyper-materialism, the Albany-based duo Field Mob trademarked their country-ness.

 

July 23, 2015

A story from our Fiction Issue.

Full disclosure up front: I am a gay black man, a proud New Orleanian, thirty years old, five out of the closet, a decade on the down-low before that; bi-dialectal as every educated brother in this city must be, a code-switcher as needed; a poet in my spare time, in my unspare time a poetry teacher devoted to dead French guys and live black ones.