The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Toro y Moi, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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Blues really was the transformation of my life. When I was fifteen or sixteen, a friend and I just kind of stumbled onto the music. It was the beginning of the folk revival—1959 or 1960—and somehow in the midst of all that wholesomeness, we fell into the blues.
“Midnight,” as performed by Futurebirds—track 24 on the Oxford American’s Georgia Music Issue CD—is not just a melding of eras and genres. It also displays an intersection of geography, as Georgia’s southwest region meets the Futurebirds’ base of Athens in the northeast.
Grandmama’s stank was root and residue of black Southern poverty, and devalued black Southern labor, black Southern excellence, black Southern imagination, and black Southern woman magic. This was the stank from whence black Southern life, love, and labor came. I didn’t fully understand or feel inspired by Grandmama’s stank or freshness until I heard the albums ATLiens and Aquemini from those Georgia-based artists called OutKast.
I think the best that we can do as songwriters is try to document and try to record something about the time that we’re living in. If you want to connect with people who are alive now—unless you’re singing to ghosts—you better talk about things that are happening in the present.
When people ask, why read short stories? I want to say: stories teach us to be noticers the way directions once taught us to be noticers. We sit down with a short story and know we’re going to get somewhere in a single sitting. The details are what will get us there.
Cole Caswell’s photography explores the lives of people who live off the conventional grid, such as a homeless DIY punk couch-surfing in Savannah and a retired stock trader/primitive-skills-master hiding out on a swampy homestead. Caswell develops his images, all tintypes, on the road in a hand-built portable darkroom.