The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
Sign up for our newsletter to stay up-to-date on all things OA.
Grandmama’s stank was root and residue of black Southern poverty, and devalued black Southern labor, black Southern excellence, black Southern imagination, and black Southern woman magic. This was the stank from whence black Southern life, love, and labor came. I didn’t fully understand or feel inspired by Grandmama’s stank or freshness until I heard the albums ATLiens and Aquemini from those Georgia-based artists called OutKast.
She is insignificant in the universe, God a sublime, untouchable peak. On the stereo is a song by her new favorite band, the Indigo Girls: Georgia nights softer than a whisper, peach trees stitched across the land, farmland like a tapestry.
Everybody I met in Augusta had a James Brown story: the Godfather of Soul roaming around town in his baby-blue Rolls-Royce, showing up unbidden at parties and concerts, hanging around like he was anyone while making sure everyone remembered exactly who he was. Many people also had a Sharon Jones story.
From the beginning of Sam & Dave’s career, Sam’s otherworldly high tenor overshadowed Dave’s low harmony, and for a variety of reasons—some personal, some practical, some musical—the history of the duo has been rewritten in the nearly thirty years since Prater’s death so as to diminish Dave’s contributions.
In 1913, the murder of Little Mary Phagan rocked the people of Atlanta, Georgia, setting in motion a series of events that involved a botched and terribly obfuscated trial; a tinder box of xenophobia, anti-Semitism, racism, and “white rights”; and another murder. “Fiddlin’ John” Carson set it all to music.
Little Richard, now eighty-two years old, has reportedly been living the last several years in a penthouse suite at the Hilton hotel in downtown Nashville (the Hilton will neither confirm nor deny that they have a guest named Mr. Penniman). I knew someone who knew someone who had his cell phone number, and in June, I cold-called him.