The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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A featured short story from the Fall 2019 issue.
She took a trowel and dug. After a few minutes, Antonia disappeared into the shed and came back with a shovel. She thrust it into the ground and stomped. Deeper and deeper she dug. When she deemed it complete, she lay down, burying herself neatly with dirt.
Mother’s move to New York was just the latest of several problems I had that summer. By then there were Rebecca’s parrots, the Appropriate Behavior Rubrics at work, the increasing hostility of my downstairs neighbor, and the small, strange problem of Maurice.
A featured short story from the Fall 2018 issue.
Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who painted from corpses, memorializing deceased sons and daughters for their families. People often said Thomas had the constitution for the work because he and Harriett had not been able to have children of their own. While Thomas traveled the countryside—following up with commissions, measuring cadavers that he would reanimate in two dimensions—Harriett was left alone at their farmhouse.
A feature short story from the Fall 2019 issue.
The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t remember. When it’s gorgeous outside and you work up the nerve to be part of something but not enough nerve to brush your hair, that’s the godmother. Maybe you stay up too late and are tempted to give yourself completely to unrequited obsessions. That’s the godmother’s doing, too.
The August night tells me that I’m home once again, down from New York City, where I’ve lived since 1987, a long barreling Interstate drive away. In the garage, the Subaru’s cooling engine ticks and clatters. All around me as I stretch and unbend, the darkness of a Chapel Hill neighborhood resounds, a vast, pulsing rave of cicadas, crickets, and frogs, with the occasional hoot of an owl thrown in to terrify the small mammals.
A featured short story from the Spring 2019 issue.
I understood that he had a crush on me, because there is no service that deserves a greater-than-one-hundred-percent gratuity, but the money seemed harmless when it came out of his wallet, like something he’d found and was simply leaving for me to deal with. And after a month of this, I realized that I was making fifty extra dollars a week because of this man. I wasn’t attracted to him, but I was fond of him, I guess because he gave me fifty dollars a week for remembering that he liked Heinz 57.
It was dark all the time, and so it was dark when the ship’s captain crept into the corner where his young daughter was asleep. It was dark when he carried her out onto the deck and raised her up in the moonlight to better see him claim.