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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.

Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky: 

The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Toro y Moi, Shovels and Rope, and, of course, Ranky Tanky.

As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.

Pre-order your copy today. Issues will ship the first week of November.

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November 04, 2013

We are saddened to learn of the death of bluegrass legend Dave Evans on Sunday, June 25, 2017. He was sixty-five. Revisit Lee Johnson’s story about Evans from our Fall 2013 issue.

Not long after my friend Pete and I met, he asked if I wanted to go with him to East Kentucky for Dave Evans’s sixtieth birthday party. I didn’t recognize the name at first, but from what Pete told me about the man, it sounded like it would be a great opportunity to play music and really learn from a master.

May 19, 2013

The pain in my midsection felt like a dull routine by the time I came across the Vintage brass Made in India red and white mother of pearl bracelet, a pretty little scallop-edged bangle that caught my eye as I was idly scrolling around on eBay. There was something charismatic about it, winking out from its dark tiny cell of a thumbnail photo. It seemed to appeal to me personally, like a particular kitten or puppy at the pound who makes eye contact. It gave me déjà vu, reminded me of some dim, distant place I couldn’t quite identify.

June 06, 2013

How can we make solar energy sustainable?

February 11, 2014

A writer's obsession with John Keats and the Beatles.

December 08, 2013

It was the second week of December 1973, and I had been summoned to come and play bass on a new Elvis album. This was not the first time I had received a summons from the King, and I knew not to take it lightly. 

November 24, 2013

In a lovely paean to her home state, a feature essay from our Tennessee Music Issue, Rosanne Cash details the memories that inspired her multiple Grammy Award–winning album The River & the Thread.

November 17, 2013

Maybe the least expected of the factors that went into making ska in those years, and the one many would argue that most nearly approached it in sound, leading most directly to its birth, came not from Jamaica at all, or even from the Caribbean, but from West Tennessee, and more specifically from South Memphis, and more specifically than that, from the band called the Beale Streeters, and most specifically of all from the right hand of their pianist and sometime singer-songwriter, a Memphis native named Rosco Gordon.

January 06, 2014

Tara’s confession to Charlie Rich, a major country star that year, was among forty-two others I discovered in the home of a woman who produced Rich in the 1960s. Unread for nearly forty years, mixed in with yellowing newspaper clips and old drink coasters from a Las Vegas revue, they were the last known remnants of the Charlie Rich Fan Club. Variously handwritten, typed up, set on stationery and notebook paper, the stash contained the intimate pleas and declarations of fans who sought communion with the star known as “The Silver Fox.”

December 22, 2013

Right after my ninth birthday, Daddy had a tantrum that made him punch a hole in the wall, his right hand break, and his secretary walk out. That made him punch the wall with his left hand and break that one too, and that was how I ended up Daddy's secretary summer before fourth grade. We worked from home, in an office that Little Steve the Child Molester built in exchange for services rendered. The office window looked out into dry yellow field, and on the far side of the field was our cow pond and Daddy's burn pile.

December 15, 2013

In Gus Cannon's music I heard minstrelsy, but I could also hear a novel, legitimate black art form developed from minstrel roots. And not only that.