The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Toro y Moi, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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We are saddened to learn of the death of legendary Texas music writer Margaret Moser on Friday, August 25. In this feature essay for the OA’s 2014 Texas Music Issue, written just after her cancer diagnosis, Moser shares vivid stories from her pioneering career:
“A life writing about music wasn’t part of the plan, but then I’d had no plan. I had dropped out of high school, didn’t attend college, had no special training or talent for much, other than a knack for making a place for myself where places didn’t exist. I’ve long joked that I got in through the back door, so whenever I am let in through the front door, I run to the back to see who I can let in.”
James Seay explores the geography of Panola County, Mississppi, where his grandfather would often go hunting—a land known as the Tallahachie River bottomlands. Seay realizes in writing about this land that his family had hunted in the same lands where Faulkner mined "scenes and features" for his famed Yoknapatawpha.
In the summer of 1976, Patsy Sims traveled to Mississippi to interview Preacher Edgar Ray Killen about his role—then only suspected—as the organizer of the killing party of three civil rights workers (Schwerner, Chaney, and Goodman). She believed him to be a leader in the White Knights of Mississippi, an especially virulent chapter of the Ku Klux Klan. For the interview they sat alone in a motel room in Meridian, Mississippi, where she asked him, point blank, if he’d ever killed anyone.
Louisiana's coastline is shrinking, rapidly. As Anne Gisleson reports, "the United States Geological Survey claims oil and gas companies are responsible for roughly a third of the state’s wetlands degradation." To try and claim reparations for this destruction, writer John Barry recently led the people of Louisiana through a lawsuit that aimed to make these companies "comply with the contracts and permits they themselves signed." This is John Barry's story—his work to save Louisiana.
A short story.
The entrance to the building is lined with prickly bushes. Ellie is there early. Not because she wants the job. It’s just that parking was easier to find than she expected. She could care less about this job. When people ask her what kind of job she wants, she usually says, a job where I can use my hands. “Your hands?” her mother often says. “But we all use our hands.” Her mother sells insurance policies and uses her hands every day. How else would she dial out?