The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.
Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky:
The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.
As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.
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A Southern Journey from the Summer 2018 issue.
We are hunting Jerome Boyatt, a Plateau fugitive who remains elusive even after his surrender and brutal death more than eighty years ago. In 1933, when he was twenty-two years old, he got into a gunfight with two county lawmen sent to arrest him at a logging camp where he was selling moonshine. He killed them both. Then Jerome hid in the rugged country around his home, No Business, a community laid along a creek hollow that joined the Big South Fork River. The manhunt for him, and the vengeance that marked it, count among the Plateau’s most infamous events.
In the summer of 1976, Patsy Sims traveled to Mississippi to interview Preacher Edgar Ray Killen about his role—then only suspected—as the organizer of the killing party of three civil rights workers (Schwerner, Chaney, and Goodman). She believed him to be a leader in the White Knights of Mississippi, an especially virulent chapter of the Ku Klux Klan. For the interview they sat alone in a motel room in Meridian, Mississippi, where she asked him, point blank, if he’d ever killed anyone.
Thunder rattles the windows, and Lucy wakes from a restless sleep, thinking of her husband. Five days ago she gave birth in the squash patch, but for now she ignores everything else, preferring the satisfaction of old memories knocking against one another. Let the baby wait. Everyone on the other side of that bedroom door can just wait.
A story by Ben Stroud from our Fall 2016 issue.
My Dear Master Liszt!
I have become a slave owner. Yes, like you I believe in the freedom of all men—your Hungarians, the Poles, the Rumanians!—and in the role we artists must play—light-bringers, revealers of passion, sympathizers with the oppressed! But I have become a slave owner. It is a stain, a mark of rot. How many stains have I come to bear in these last weeks? They are countless.
In “A Town Under Trial,” from our Spring 2017 issue, reporter Nick Tabor relates how an unsolved 1994 double murder continues to haunt a small town in southwest Kentucky. To capture Oak Grove and its trailer parks and “commercial strips of liquor stores, topless bars, and cash-advance shops” familiar to military towns across the country, we enlisted Nashville-based photographer Tamara Reynolds, who was already familiar with the area. Her images convey the tenuous, transitory nature of habitation and commerce in Oak Grove and the unavoidable influence of the military-industrial complex on life there.
A short story from our Summer 2017 issue.
I opened my eyes and looked at the patient. Her eyes were open, too, wide and lively against the tautness of her face. They were the same eyes of my aunt Lydia who had once pulled up her shirt to show me the large birthmark on her stomach—darker than her skin, shapeless like a stain. She looked at me, and I looked at her, and as the people around us prayed for her recovery, she smiled at me.
Brother Dynamite in reflection
Hounded throughout by the Man, busted, shot at, Big Man managed to stay out of the jackpot. It probably helped that he was a quiet cat who played things close. He’s like that nowadays, not particularly keen on self-promotion, almost to a fault. He can be leery, circumspect. Sharing just isn’t his thing, let’s put it that way. But probably it’s why he’s lasted so long.