Chuck Stewart’s photography provided by Fireball Entertainment Group, courtesy of Chuck Stewart Photographs of John Coltrane, Archives Center, National Museum of American History, Smithsonian Institution
An installment in our weekly series, The By and By.
Understand my irreverence was never situated in disrespect or unkindness. First he was a man and then he was a star and then he was a legend and then he was a caricature and finally an abstraction. This is the life cycle of commodification. By the time I first heard the name we were well into the weeds.
Bill Bentley’s introuction to Smithsonian Rock and Roll: Live and Unseen, a crowd-sourced collection of photos and stories.
Thousands of submissions were uploaded over the next year. From professional-quality shots taken on film stock to digital mobile phone snaps, the entire spectrum of rock photography filled Smithsonian servers. . . . The results, spanning seven decades, aim for neither encyclopedic authority nor comprehensive finality, but rather an index of supreme influence. Artistic importance isn’t the same as popularity, as this guided tour of rock & roll proves at every turn of the page.
The year before Paul MacLeod, the owner of Graceland Too, died of natural causes on his porch just two days after he shot and killed a local house painter, I drove my partner, Mesha, down South so that she could experience Paul’s museum firsthand.