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Coming November 2019 . . .

The Oxford American’s 21st Annual
Southern Music Issue & CD

Featuring
SOUTH CAROLINA

 

Pre-order your copy today.

  

The OA is thrilled to pair our South Carolina Music Issue announcement with an exclusive premiere of a new song from Ranky Tanky, the acclaimed Charleston band reviving the Gullah musical tradition of South Carolina’s Lowcountry. “Beat Em Down” is the title track from the band’s new EP, due out on Friday, and will be included on their upcoming album, Good Time (out July 12, 2019), the band’s first to include original compositions written in the Gullah tradition.

Check out the exclusive premiere of “Beat Em Down” from Charleston’s Ranky Tanky: 

The Oxford American’s South Carolina Music Issue will celebrate the unforgettable stories, songs, and artists that convey the deep history and continuing vitality of South Carolina’s music—including icons like Dizzy Gillespie, Eartha Kitt, and the Marshall Tucker Band, as well as contemporary voices, such as Iron & Wine, Shovels and Rope, and, of course, Ranky Tanky.

As always, the music issue will come with a sampler compilation of songs spanning the 78-rpm era to the present (in CD and digital download formats), with accompanying liner notes included within the magazine.

Pre-order your copy today. Issues will ship the first week of November.

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June 10, 2015

An interview with Ansel Elkins.

The Alabama landscape is so completely saturated in my soul that it’s hard to gain perspective of just how much it’s in these poems. Because the land is so rooted in my work, trying to answer that question would be like trying to unearth barehanded one of those old shacks that’s been swallowed whole by kudzu. I could never know myself without these red clay hills.

April 29, 2015

Talking tornadoes with Justin Nobel.

I can imagine a world where tornado and typhoon have become forgotten and laughable words, and we no longer remember what it’s like to feel rain fall randomly from a cloud onto our faces or to be buffeted by a cold wind. That world frightens me.

April 27, 2015

In April 2011, a massive supercell tornado cut a 150-mile-long path of devastation across northern Alabama. These are the stories of the people who survived.

People tell me, “Milton, that don’t make sense.” And I tell them, “Exactly! What I seen don’t make sense.”

February 26, 2015

Grasping a starched napkin in his left hand and twirling a pair of mod eyeglasses in his right, Goren Avery shepherds the flocks who seek purchase nightly at Highlands Bar & Grill, this reliquary of a restaurant, the most vaunted in the South. This place, and, by extension, this city, is his domain.

October 16, 2013

On James Agee's Cotton Tenants: "Now we can witness what Agee made first, and we can examine it alongside the epic it became once it got digested by the organs of an endless self-loathing."

September 30, 2014

An installment in our ongoing series, Poetry in Place, a symposium for Southern poets to consider the question, "What does it mean to be a poet of the 'New' South?"

September 29, 2014

Digging through this hard clay, I dig through history. I take the blood-red clay of my native land and shape it with my own hands. This raw red earth symbolizes violence and vitality.

August 18, 2013
Experiencing Albert Murray through his books means accepting the dare of his prose: Read these pages out loud, Basie-swinging from sentence to sentence. Murray’s literary musicality emanates from his fluency in modernist techniques and his blues idiom intelligence.
November 10, 2013

In 2008, a massive retention pond at a Tennessee Valley Authority coal-fired power plant burst open, spilling more than a billion gallons of coal ash into the Emory and Clinch rivers, burying about 400 acres of land under six feet of ash. The spill was one hundred times greater in volume than the Exxon Valdez spill and by far the largest coal ash disaster in U.S. history. When TVA decided to send the ash by train to a small, poor, rural, mostly black community outside Uniontown, Alabama, the EPA approved the decision. That same day, the first train of eighty cars clicked down the tracks to Alabama.

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