April 05, 2016
He was a small man, 5'6" and about 160 pounds, a smoker in his mid-forties. His face was disfigured by a crushed nose that never properly healed. He had cut scars on his shoulder and right forearm. He was a Baptist and wore a size 7 shoe.
March 29, 2016

The result: as many as a million and a half feral hogs rampaging through Texas, growing as big as sofas, tearing up farmland and creek bottoms with their root-rooting snouts. They gobbled up baby lambs and caused car wrecks. They carried pseudorabies, swine brucellosis, tuberculosis, bubonic plague, tularemia, hog cholera, foot-and-mouth disease, kidney worms, stomach worms, liver flukes, trichinosis, roundworms, whipworms, dog ticks, fleas, hog lice, and anthrax. Their tusks were “razor sharp,” the pamphlet said, and their gallop as fast as “lightning.” Lest some shred of sympathy stay my hand from indiscriminate slaughter, the pamphlet threw in the lurid detail that feral sows had been known to eat their own young. 


February 21, 2017

I’ll See You On The Beach addresses sites that commemorate the American legacies of exploration, conquest, and the instillation of nationalism by way of stimulating displays.

February 10, 2017

Around two thousand years ago a woman died in Greek-speaking Asia Minor, near the ancient city of Aydin, in what is now Turkey. Her name was Euterpe, after the muse of music. Her husband or son, Seikilos—his relationship to Euterpe depends on how you read a gap in the dedication line—commissioned a stele, a stone memorial, which bore the following words, etched in Greek: “I am a tombstone, an image. Seikilos placed me here as an everlasting sign of deathless remembrance.” 

January 23, 2017

For Zachary McCauley, making a home in the South is a matter of welcoming the often overlooked, banal moments of the land and people.

April 16, 2016
The music of Texas is as vast and hard to define as the Lone Star state itself; it covers every genre of American music—transcending culture, race, language, and historical circumstance—and yet reveals a distinctive soulprint that you won’t hear anywhere else.
January 16, 2015

Before Berry Gordy started Motown—before Russell Simmons and Suge Knight were even born—Don Robey epitomized what it meant to be a black music mogul. Working in Houston from the 1930s until his death in 1975, Robey discovered Clarence “Gatemouth” Brown. His record company released the original version of “Hound Dog,” and he made Bobby “Blue” Bland a star. Ike and Tina Turner, B.B. King, and Little Richard were clients of his booking agency, and T-Bone Walker, “Big” Joe Turner, and Wynonie Harris all regularly graced the stage at his nightclub, where legendary after-parties saw the likes of Sister Rosetta Tharpe jamming with Big Bill Broonzy and Louis Jordan. 

March 16, 2017

A profile of Charlie Sexton, from the 2014 Texas Music Issue. 

The circus had left town. Rolling toward the end of the Seventies, all the high-dollar distressed denim, heavy turquoise bracelets, soft and scuffed Lucchese boots, and even the brain-blowing snow-white cocaine weren’t quite as ominous in Austin’s nightclubs. It was starting to feel a little more like home again, back before the so-called redneck rock invasion. When the cosmic cowboys first started raiding the city, hijacking all the musical attention in our little Austin oasis, it was the mid-Seventies and the Lone Star state was slightly sedate. But that’s how we liked it, actually, because it let the city’s hippies and beatniks create their own fantasies and live on inexpensive fumes. Before the onslaught, the dozen or so honkytonks and nightclubs took care of their own. There were no record business people to promise what rarely got delivered, and the long days and nights spread before central Texas like the promise of a pot hit and a hot kiss.

December 15, 2014
Joe Ely’s rowdy self-titled debut album from 1977 brought a rock & roll spirit to its mix of country, blues, and folk music. The record was largely ignored in America but found an audience overseas, and on one tour Ely struck up a relationship with the Clash and particularly Joe Strummer. A few months later, they were touring Texas together. “I don’t remember all the good nights,” Ely says, laughing, “but I remember the bad nights really well.”
January 15, 2014

A story from the 2014 Texas Music Issue.

The woman at the bar had been bitching to the rancher about her husband. The rancher hoped the night would end in the motor court down the highway.