Maxwell George

Maxwell George is the Oxford American’s deputy editor. He is from Charlotte, North Carolina, and lives in Washington, D.C.

May 29, 2018

In Lament from Epirus, Christopher C. King finds his musical and spiritual Elysium. 

I call two places my home: I call my record room my home and I call Epirus my home. Where I was born and bred and raised up, and scarcely have left from, really bears little resemblance to what it was when I was growing up, so it’s hard to call it home anymore.

February 14, 2017

To Adia Victoria, Donald Trump is just the latest thing in the history of American oppression.

“The blues to me is personal music. The blues to me is political. And what’s happening politically right now requires artists to get up, pay attention, report about what’s going on.”

June 24, 2016

Irrespective of the national debate over gun control, for many Americans, the heart and the soul is located near the trigger finger. Inevitably, firearms have figured into the Oxford American time and again.

January 19, 2015

Everybody I met in Augusta had a James Brown story: the Godfather of Soul roaming around town in his baby-blue Rolls-Royce, showing up unbidden at parties and concerts, hanging around like he was anyone while making sure everyone remembered exactly who he was. Many people also had a Sharon Jones story.

November 18, 2015

“Midnight,” as performed by Futurebirds—track 24 on the Oxford American’s Georgia Music Issue CD—is not just a melding of eras and genres. It also displays an intersection of geography, as Georgia’s southwest region meets the Futurebirds’ base of Athens in the northeast.

July 09, 2015

I think the best that we can do as songwriters is try to document and try to record something about the time that we’re living in. If you want to connect with people who are alive now—unless you’re singing to ghosts—you better talk about things that are happening in the present.

April 29, 2015

Talking tornadoes with Justin Nobel.

I can imagine a world where tornado and typhoon have become forgotten and laughable words, and we no longer remember what it’s like to feel rain fall randomly from a cloud onto our faces or to be buffeted by a cold wind. That world frightens me.

April 20, 2015

This month, Omnivore Recordings reissued a forgotten Memphis classic, a kind of conceptual compilation called Beale Street Saturday Night, produced by Jim Dickinson in 1979. To celebrate the rerelease of this masterpiece, the Oxford American is pleased to present Dickinson’s “The Search for Blind Lemon,” from our 2013 Tennessee Music Issue.

January 28, 2015

As a Texas Playboy, it seems, you were one of an exclusive brotherhood, and Bob Wills, the king of Western swing, was much more than a personality and a paycheck. But you had to earn your membership.

February 13, 2015

Since many of the best musicians working in Nashville over the years are Texans, a good portion of Jim McGuire’s ongoing Nashville Portraits series features the iconic natives of the Lone Star state, including the stunning 1975 image of Guy and Susanna Clark that graces the cover of our Texas music issue.

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