Will Bostwick writes and works construction in Austin, Texas. His reporting has taken him from the fjords of northern British Columbia to the Texas–Mexico border. He was born and raised in Waco.
A Points South story from the Fall 2018 issue
“I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me. So he started the Restoration Project, which aims to “collect, digitize, and archive” all of the recordings available from “gospel’s golden age,” roughly 1945–1975. Because there is no reliable discography of extant gospel recordings (creating one is another ambition of Darden’s), Darden and other scholars have trouble even estimating how many songs that may turn out to be.