May 22, 2017

New Orleans is known as the impossible and inevitable city, due to its complex geography that tests the boundaries of human engineering. In her latest project, Virginia Hanusik examines “how a distinct sense of place is perpetuated through the built environment,” in a city whose uniqueness and aesthetic beauty is tied to the uncertainty of rising waters outside of the levee walls.

January 29, 2019

Taken in moments of tranquil cohabitation rather than scenes of flooding and disaster, Virginia Hanusik’s photographs interrogate the commonplace existence of communities touched by South Louisiana’s struggle with sea-level rise. “Despite the uncertainty that rising seas and coastal erosion bring to the region,” Hanusik writes, “there is hope found in the history of building practices and land migration patterns that are responses to environmental change.”

April 09, 2019

In 2010 Ashley Jones began documenting the homes, businesses, and churches affected by the Earl T. Shinhoster Bridge on Interstate 16, one of Savannah’s “flyover” highway structures.

April 24, 2019

In the aftermath of Hurricane Katrina, Strembicki photographed forty-four houses of worship in the Lower Ninth ward of New Orleans, then revisited them year after year, speaking with pastors, deacons, and members, recording the state of their church and its structures.

May 07, 2019

Consisting of images of rushing streams, secluded lakes, and the structures that disrupt or contain these waterways, the Savannah River Basin Photographic Survey depicts water as both a vital resource and a recreational point of connection.

May 22, 2019

With painstaking clarity, Dalton captures scenes from Louisiana bayous, small-town Alabama, and urban centers of Texas, documenting a pervasive sense of isolation across the South and the hope that defies it.

July 01, 2019

In Amanda Greene’s series, Humid and Tiresome, the artist delights in finding surprising objects in unexpected places.

August 06, 2019

In his series Palimpsests, film photographer Sean Crutchfield documents the places “where the past and present collide” in small-town Alabama, Georgia, and Florida.

August 14, 2019

In an ongoing series of startling black and white images, Andrew O’Brien captures landscapes along Stringer’s Ridge, a nature preserve near Chattanooga, Tennessee, and annotates them by overlaying pixelated dots, slashes, and abstract shapes to create otherworldly scenes.

August 22, 2019

In anticipation of their annual gathering next month, we’ve partnered with SlowExposures, a “juried exhibition celebrating photography of the rural American South,” to curate this special edition of Eyes on the South.