March 24, 2014

I’d take it out multiple times a day, turn it over in my hands, read the press materials—then put it back. Flannery O’Connor’s prayers. Flannery O’Connor’s prayers. In her handwriting. To peer over her shoulder and read what she’d written to God, and God alone?

March 17, 2020

A feature essay from the Spring 2020 issue.

I wanted to get away from the noise, but I had nowhere to go. This ended up being a good thing, as I was desperate in writing a story of a religion that was at once immeasurably old while still in its infancy. An unlikely synergy started to form between Felix and me. We were both mixing what raw materials we had. He was throwing coconut shells; I was pounding a keyboard. The noises they produced didn’t sound much different.

April 26, 2017

Michael Shewmaker’s exceptional debut hinges on the need not to resolve form but to further open it, a puzzle, a question, as though the very act of questioning keeps him in balance.