September 02, 2015

Claudia Delfin has spent her life shuttling between El Paso and Juárez—for a time, under the thick fog of drugs and addiction, as a sex worker and minor gangster. She’s been clean for eight years and now works as a drug counselor for a local nonprofit, hauling addicts out of the same slums where she used to score and delivering them back to life, if they’ll let her.

May 24, 2016

Because there wasn’t enough income to pay a full-time hand, all animals requiring daily care had to go. Mountain lions would eat the Boer goats if they went unsold. An emu, whom the old foreman Cruz had jailed in a derelict tennis court, I freed to earn a living in pasture. So long as they had water and grass, the cattle more or less took care of themselves until roundup.

That left the llama.

March 19, 2019

A Points South essay from the Spring 2019 issue

Daleel is three years old, which is around eight human years. While we walk, he is distracted by any and all sources of food, which in this desert is a surprising amount; mesquite beans, prickly pear, ocotillo, and creosote—all barbed and injurious to a human touch, but the lining of Daleel’s lips is impervious. 

February 19, 2015

An interview with Amanda Shires.

I was trying to be on my own in Lubbock, playing my own songs, but I guess people didn’t see me like that. It was my fault, because I had to pay my rent, so I was still taking sideperson work, which kept me from being known as just that. I had written some songs with Thrift Store, but it was never an idea that I could do it on my own, solo, until Billy Joe told me to. He even said, “There’s no loyalty in side work. This week, fiddle is cool, but next week, it might be a dobro, and then where will you be?”

January 21, 2015

A conversation with the poet Christian Wiman, whose latest collection, Once in the West—his first since leaving Poetry magazine, where he was editor for ten years—is a finalist for the 2014 National Book Critics Circle Award in Poetry.

February 04, 2015

A conversation with Forrest Gander.

Love is sacred to Gander, as is longing. Vulnerability, landscape, poetry, pain—these draw his characters, and readers, to the edge of the void. His genre-bending books are driven by a powerful curiosity and hum with rich, associative thinking. At once granular and expansive, Gander writes after what he calls “our inner selves, that holy knot that gives us a hold on what we actually feel,” with the conviction that nothing less than life is at stake.

April 12, 2019

For Sasha von Oldershausen, the physical landscape of West Texas is as rich in stories as the communities that populate it.

“To walk along these paths feels like you’re accessing the long history of the land.”