Hancock’s universe is so detailed and varied that we had trouble narrowing our selection to just the five pieces we published in the Spring issue. Here, enjoy more of the Austin-based artist’s work, an example of what the New Yorker once described as his “boisterous mythologies.”
A feature from the Spring 2019 issue.
Hancock’s art, which includes paintings, fabricated toys, a theatrical performance, and a graphic novel, defies categorization and pulses with an almost religious intensity. Much of his work has followed the denizens of his alternate reality called “The Moundverse,” where beastly, beautiful Mounds are often attacked by skeletal, sadistic Vegans. There’s a goddess figure named Undom Endgle, who represents the power of Black women as “bringers of color and light,” and TorpedoBoy, a heroic figure in razor-covered cleats. Hancock employs a constantly shifting aesthetic that suggests he can create literally anything.