A Points South essay from the South Carolina Music Issue.
Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and the Alabama Theatre, which would later dominate the north end of town, Myrtle Beach was a regular stop for the working musicians who toured the Southeast.
A Points South essay from the North Carolina Music Issue.
Around the close of the 1950s, if you wanted to hear the beginnings of the funk music that James Brown would soon introduce to the world, you wouldn’t find much of it on his records. Brown’s late- ’50s recordings with the Famous Flames, like his plaintive “Try Me” and the shatteringly sweet “I Want You So Bad,” are indisputably cool, and they spill over with the vocal histrionics that would characterize his performance style for decades to come. But the overall aesthetic of his music from that era is still redolent of doo-wop and ducktails. He’d only just begun to take some sandpaper to the smooth sheen of ’50s pop music.
No, if you wanted to hear funk music before 1960, your best bet might be the Maola Ice Cream talent show in Kinston, North Carolina.