A Points South essay from the South Carolina Music Issue.
All of Bill’s anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door for its great modern period—the pre-birth of cool!—and yet who carried a “personality of warmth and openness and friendliness everywhere, with whoever he was dealing with,” Bill said. “That side of him was something that I remember as strongly as I remember his musical force and power and creativity.”
The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue.
Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped them. As a person, his roads always led back to Alabama.
An installment in our weekly series, The By and By.
Twice during my visit, I listened to friends say over meals how much they genuinely loved the city. Both times, I immediately thought, Why? Living in New York as an aspiring writer had been hard—isolating and vicious. There had been casualties—relationships I’d leaned on until they broke or some that I’d neglected or cast aside. There had been fresh ideas or lines of inquiry that I’d shunned, in order to cling to diminishing prospects I’d hoped to turn into some type of currency—money, acclaim, respect. Where the city had once seemed a place of limitless potential, I’d become a kind of hermit—buffering myself against perspectives, change, the passage of time—unable to keep up.