May 06, 2020

An installment in our weekly photography series, Eyes on the South

Since Hurricane Katrina made landfall in 2005, Greiner has photographed the area around Baton Rouge for his series Land’s End, reimagining the landscape as a potential new coastline, a projection of what Louisiana might look like following another catastrophic storm or the long-term impacts of climate change.

September 05, 2019

An installment in our weekly series, The By and By. 

Church steeples still lay on the ground, blue tarps turned homes into extensions of the sea. A human’s arms cannot encompass that loss. We make small boxes instead; we attempt to foil fate, we laugh, and we wait.

February 11, 2020

An installment in our weekly photography series, Eyes on the South

In her series New Orleans & the Levees, Karen Halverson alternates between bright, uninhibited portraits and stark industrial landscapes, capturing the inherent tension of living in a city that is always sinking and the extraordinary engineering measures taken to protect it.

February 25, 2020

An installment in our weekly photography series, Eyes on the South

Documenting a tradition unique to New Orleans, Brown captures the lively atmosphere of “masking” on parade day, with a particular focus on Big Chief Pierre “Monk” Boudreaux and his family. Ostrich plumes and intricate beadwork adorn the participants’ suits as they take to the streets on Mardi Gras.

February 01, 2018

The photographs in Meghan Kirkwood’s Four Blocks in Chalmette were taken at four intervals within a four-block area of Chalmette, Louisiana between 2008 and 2017. Located east of the lower Ninth Ward, Chalmette sustained heavy flood damage during Hurricane Katrina. The neighborhood Kirkwood photographed, dense with rental properties, has been particularly slow to recover.

May 22, 2018

Ben Depp’s Bayou’s End is the result of three years “flying above the bayous and wetlands of southern Louisiana in a powered paraglider,” taking aerial photographs from thousands of feet above the ground. Depp spends hours at a time in the air, waiting for just the right moment to capture the “spaces where the geometric patterns of human enterprise—canals, oil platforms, pipelines and roads—collide with nature’s organic forms.”

January 08, 2019

In an attempt to “fuse New Orleans and Miami as metro jungles,” Erin Krall’s Tropiques Plastiques showcases the real and synthetic vegetation of those two cities, forming an unconventional portrait of the urban American tropics.

August 07, 2017

Richard Max Gavrich’s Across the Brown River explores “memories of past fictions” in towns along the Mississippi River. Inspired by Flannery O’Connor’s obsession with place, Gavrich follows the river in search of the “ordinary and extra-ordinary.”

May 22, 2017

New Orleans is known as the impossible and inevitable city, due to its complex geography that tests the boundaries of human engineering. In her latest project, Virginia Hanusik examines “how a distinct sense of place is perpetuated through the built environment,” in a city whose uniqueness and aesthetic beauty is tied to the uncertainty of rising waters outside of the levee walls.

January 29, 2019

Taken in moments of tranquil cohabitation rather than scenes of flooding and disaster, Virginia Hanusik’s photographs interrogate the commonplace existence of communities touched by South Louisiana’s struggle with sea-level rise. “Despite the uncertainty that rising seas and coastal erosion bring to the region,” Hanusik writes, “there is hope found in the history of building practices and land migration patterns that are responses to environmental change.”