When I first opened Stanford’s slim book of posthumously published selected work, The Light the Dead See, every word rang true and glowed like burning coal. I was enraptured by his recklessness, his rebelliousness, his loneliness; I drank up his language like whiskey and was pulled into his dangerous, nocturnal world full of energy and eroticism and death.
This issue includes “The Battle of and for the Black Face Boy,” a radical libretto by Nikky Finney; a profile of a transgender drug counselor who lives on the border of El Paso and Ciudad Juárez, by Jonathan Blitzer; John T. Edge’s exploration of Southern theme restaurants; and more.
The sun’s shining through the windows in Georgia. A poet climbs into her attic and takes down a box of old photos, opens it, and tilts the images into the light. A page from an old notebook peeks out of the stack. Jimmy Rabbitt’s “Wheels’ Rollin’” starts skipping on the record player.