January 25, 2016

The Rock*A*Teens came along in the early nineties, after a string of tragedies rocked the Cabbagetown community. As Atlanta-based journalist Doug Deloach told me: “To tell the story of the Rock*A*Teens is to also tell the story of Cabbagetown and all the bands that came before them.”

January 29, 2016

MC Shy D brought hip-hop to Atlanta. Or anyway, he brought Atlanta to hip-hop—in the mid-eighties, he was the first rapper from the city to break out of it, to tour the country and make a name for himself. He became an object of adulation to the whole region.

February 09, 2016

Beverly “Guitar” Watkins is seventy-six years old. She is wearing house slippers, a hair net, and an Atlanta Hawks t-shirt on backwards. She is probably the greatest living blues guitarist that no one has ever heard of.

February 18, 2016

During Sweet Auburn’s heyday, a brotherhood of gifted guitar-playing soul singers, though largely unknown by a wide audience today, formed a loose collective. They wrote songs together, recorded them, encouraged one another, and competed fiercely, each believing in a coming personal glory that never came.

July 27, 2017

An installment in our weekly series, The By and By. 

I am lying in bed on the Fourth of July. The apartment is empty. A box fan is propped on the dresser, blowing cool air, though I can’t hear it. I’m wearing headphones and listening to Bohannon: Speaks from the Beginning. This is the audiobook memoir of Hamilton Bohannon. Not the audiobook of the memoir, in other words, but the audiobook memoir—it only exists in an audio format. He didn’t find it necessary to write down the details of his life. Sound is his medium, always was. So he speaks.

April 20, 2017

An installment in our weekly series, The By and By. 

One of the paradoxes of George Ellis’s career, in hindsight, is that alongside his run of cheap exploitation films, he maintained a parallel career as Atlanta’s first great arthouse film exhibitor. It adds a layer of complexity to his work, to know that his own taste was impeccable—he understood the full range of cinematic possibilities and would have seen exactly where his films fit into that spectrum. Around the time Demented Death Farm Massacre was hitting theaters, Ellis was introducing Atlanta to the French New Wave and the New German Cinema, hosting retrospectives of Chaplin and Bergman.

December 18, 2015

A heartbreaking deep soul classic by Atlanta’s Lee Moses almost became the third ’60s-era song called “Bad Girl” to grace an OA music issue CD.

February 17, 2016

Alice Swoboda discusses her brief recording career and her stunning song “Potter’s Field.”

My manager at that time told me that we’re in the wrong location. He said, “You’re writing light years ahead of your time and you would be better recognized if we were in the Bay Area.” But it is what it is, and it was what it was.

February 12, 2016

Even as we approach deadline for our Spring 2016 issue, we feel we still have one foot back in Georgia, where we spent so much time and energy producing our music issue last year.

March 11, 2016

One evening in Nashville, a man walks down the railroad tracks, singing, and his voice rolls through the heavy air. In Meridian, Mississippi, a child runs barefoot in dry grass, chasing lightning bugs—yellow lights that disappear just as his hands reach toward them.

 

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