Following up on Ryan Adams.
Last week’s news is a colossal disappointment for Adams’s fans—many of whom, like myself, had remained loyal to his music despite his career of public tantrums and well-documented selfishness. And it is an embarrassment for many writers and critics who gave him our words, thereby ensuring his celebrity and thus his power, so often situating his assholery as an excusable byproduct of tortured genius.
To Adia Victoria, Donald Trump is just the latest thing in the history of American oppression.
“The blues to me is personal music. The blues to me is political. And what’s happening politically right now requires artists to get up, pay attention, report about what’s going on.”