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Magazine


Issue 56, Spring 2007


Southern Movie Issue Vol. II

“The Old South, for him, embodied the capacity for feeling, blood loyalty, tradition, instinct, simple enjoyments….[I]t stood in opposition to mercantile civilization, hustle and bustle, and cold, calculating intellectuality.” — Phillip Lopate, “Shining Bright”

Wendy Brenner, Kevin Brockmeier, and others detail “Thirteen Essential Southern Documentaries.” Essays by Gerald Early, Phillip Lopate, and Ray McKinnon. An interview with Charles Burnett by Dennis Lim. Iconic photos of Burt Reynolds, Sidney Poitier, and Tony Curtis.







COLUMNS & DEPARTMENTS


Guest Editor’s Box:
The Whole Bright Mess 
by Derek Jenkins

Gone Off Up North:
Mad About Madea 
by Roy Blount, Jr.

Local Fare:
Pressing Duck, Pressing Flesh
by John T. Edge

On Location:
Bullets and Bodies 
by William Caverlee

On Actors:
From Hoofer to Gumshoe 
by Jack Pendarvis

On Actors:
The Ideal Imposter
by Tom Carson

On Actors:
Hillbilly Heroine
by Cintra Wilson

On Directors:
Who Is John Huston?
by Joseph McBride

Dealer’s Choice:
Robert Altman (1925-2006)
by Hal Crowther

Southern Scenes:
Burt Reynolds, 1976

FEATURES


Shining Bright
John Ford’s vision of the South
by Phillip Lopate

Dancing in the Dark 
Race, sex, the South, and exploitative cinema
by Gerald Early

How to Act 
It ain't brain surgery but . . .
by Ray McKinnon

The OA Movie Guide
with Jack Pendarvis, M. Thomas Inge, Derek Jenkins, Thomas Doherty, Noel Murray, Matthew H. Bernstein, Francince Prose, John Cline, Scott Van Doviak, Jim Ridley, and Donna Bowman 

Personal Filmmaker 
A poet of American cinema whose thirty-year career began with a no-budget, gritty 16mm masterpiece
An interview with Charles Burnett
by Dennis Lim

Thirteen Essential Southern Documentaries, Part II
Oxford American editors & contributors on "What you should be watching"

 

Cover: Sidney Poitier and Tony Curtis in  The Defiant Ones (1958), Courtesy of the United Artists/Photofest.