NASA astronaut Ronald McNair is the cover star of the 21st Annual Southern Music Issue & Sampler featuring South Carolina! by Oxford American | Nov, 2019

A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

A Points South essay from the Fall 2019 issue This approach, of stitching different strands of colored yarn through canvas so many times that the individual strings join in a subtle and collective harmony, leads to an image made of… by William Browning | Sep, 2019

A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

After breakfast on Saturday, my mama would turn on the WDIA program All Blues Saturday and the blues would growl out of the cream-and-gold GE radio on the kitchen counter, eclipsing my cartoons. Sometimes, she would call to my daddy that one of his songs was on and they would share a low, private chuckle about old times. Grown-up times. Mississippi times.

Under His Thumb and Lovin' It.

A Jazz Journey from Alabama to Saturn—and Back.

On October 20, 1952, Herman Poole Blount of Birmingham, Alabama, entered a Chicago courthouse and rid himself of the name he'd never identified with anyway. He was almost forty and had not been Herman for many years—not to those who knew him and certainly not to himself. Blount left Birmingham in 1946, part of the historic wave of blacks from the Deep South, but it's fair to say his migration was of an entirely different magnitude: He would not return to Birmingham for more than three decades, and once he left the South, it was as if he had never been there at all.

An Ode to Displacement

Matthew Houck is thirty-one years old and has a head full of shaggy light-brown hair of which there is increasingly more in the back than the front. He's a musician, known best by the name Phosphorescent, although about ten years ago, he self-released one album as Fillup Shack. It was called Hipolit and maybe you can buy it somewhere online if you try hard enough.