An essay from the Place Issue My dad wanted his death, like his life, to be a work of art—a tomb he designed and filled with ceramics—and one that would allow him to define death on his own terms. My… by Alice Driver | Aug, 2020

An essay from the Place Issue The quest was half-ironic, but I was hoping at the same time to feel something I couldn’t make fun of. If a revelation from the Earth manifested inside my body, well, that would mean… by Liam Baranauskas | Aug, 2020

An essay from the Place Issue This congregation is the only one in eastern Alabama and was born out of a potluck dinner for Rosh Hashanah in the early ’80s when a local couple invited four friends over, telling them… by Carly Berlin | Aug, 2020

A feature essay from the Summer/Fall 2020 issue. This is how so many black families lose their land. One person wants to sell and starts an action that can force a sale. And if a developer wants the land, he… by Rosalind Bentley | Aug, 2020

A featured conversation from the Summer/Fall 2020 issue. “The pandemic in the United States opened up the truth of what that nation is about. Like a volcano, truth just came pouring out. Just layers and layers and layers. I keep… by Minnijean Brown Trickey and Crystal C. Mercer, moderated by Danielle A. Jackson; photographs by Ebony Blevins | Aug, 2020

A Points South essay from the Place Issue As of today’s journey, our family has been in quarantine for more than a hundred days. Summer camp plans have fallen by the wayside, much like those color-coded home-school schedules parents passed… by Karen Good Marable | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Johns has said that, even as a child, he wanted to be an artist—only he didn’t know what an artist was. “In the place where I was a child, there were no… by Baynard Woods | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

The story of True Soul, an independent record label from Little Rock, Arkansas, and its founder, Lee Anthony: "From the outset, True Soul had been an experiment. Rather than standing by while local talent fled to the nearby city of Memphis, the hotbed of Southern soul, Lee Anthony decided to start his own label in Little Rock, the capital of his home state, to tap into the city’s rich offerings of gospel, soul, and funk and put Little Rock’s long-overlooked music scene on the map."

"Blessed with a helplessly big voice, Kenni Huskey began performing at age seven on the Memphis program Country Shindig in 1962, singing with local country and rockabilly stalwart Eddie Bond. For her first taping, she was too tiny to reach the microphone, and Eddie stacked two wooden Coca-Cola crates so her little face could reach it."

In 2009, the OA asked 134 judges what they considered to be the best Southern books of all time. They came up with a list for fiction and nonfiction, choosing from more than five hundred titles. This is the underdogs list, the books that didn't make the cut for "best" but are more than worth adding to your bookshelves.

Why has Barry Hannah—though considered by many writers and scholars to be the current Great One of Southern Letters (and most would drop the modifiers “current” and “Southern”)—continued to fall under that lackluster rubric, the Writer’s Writer?

The Thomas Wolfe Memorial does not move us to think about the creative spirit so much as it moves us to think about everyday life. Cleave it from its ties to literary celebrity and it becomes replete in and of itself: Come see how, in a certain place at a certain time, some people lived, and some made a living.

"Rereading the novel on my own the summer before teaching it, I was stunned once more by its complexity. Absalom is not an easy read, and it resists casual intimacy. Sentences swell and loop, wind-ing into rhetorical knots. Narrators speculate, are ignorant, or just plain lie. Faulkner himself rarely appears, and he never brings answers. Sixteen-year-olds, I knew—even the most clever ones—tend to read in anticipation of Aesopian morality, a thematic deus ex machina, and Faulkner simply doesn’t provide one."

In 2009, the Oxford American polled a group of 134 judges for what they considered to be the best Southern Literature of all time. This list is their verdict on the region's best nonfiction.

In 2009, the Oxford American polled 134 scholars and writers for the ten best Southern novels and five best Southern nonfiction books of all time.

In 1995, when the late Larry Brown first published (in the Oxford American) the essay "Billy Ray's Farm" about his son's farm in Lafayette County, Mississippi, he was both realistic and optimistic about the challenges of farm life. He could not have known that one day his friend, the renowned chef John Currence, would open Big Bad Breakfast, a new kind of diner featuring local ingredients, including dairy products from Billy Ray's heifers. John T. Edge recently visited Billy Ray and his milking cows at the Brown Family Dairy.

An open letter to the man who put together one of the many collections of America's Greatest Hits: "If you’re really going to anthologize America’s Greatest Hits—your title, certainly not mine—you’re going to need someone who has seen a lot more of the world than the Ivy-League American-Studies major I assume you think you’re looking for."

Reminisces of eating rat-trap cheese: "We ate it in the parking lot, with sleeves of crackers and tins of sardines, its hue a not-of-this-world orange, with a texture that straddled cheddar and polyester. And a red wax rind. Stored beneath a see-through plastic dome. Sliced into wedges with a countrified guillotine."