This week we feature the series Of This Place by David Simonton, which focuses on the seemingly empty places of North Carolina. Simonton works in a traditional format using black and white film and prints, developed solely in the darkroom.
The Editors are spiking most of my copy now, unread. One has described it as “hopeless crap.” My master’s degree means nothing to this pack of half-wits at the Blade. My job is hanging by a thread. But Frankie, an assistant city editor, is not such a bad boss and it was she who, out of the blue, gave me this choice assignment. I was startled. A last chance to make good?
A conversation with Katrina Whalen, director of “I Don't Talk Service No More,” a film from the Charles Portis short story.
“My dad used to throw around a quote from the old John Wayne True Grit. When I was getting too big for my britches, he would say, ‘Bold talk for a one-eyed fat man.’ I never had any idea what he was talking about.”
"In terms of subject matter, I always look first to the common and the everyday. Often this includes familiar interior spaces and, more recently, the surrounding landscape. The portfolio This Is Nowhere relies upon the inherent poetic qualities of the Smoky Mountain region, where the enduring theme of time marks its presence most succinctly."
Every so often there is a book of poetry that reminds us how well verse can speak history. The Forage House by Tess Taylor is one of those time capsules. Taylor, who is also the author of The Misremembered World, is a white descendant of Thomas Jefferson. When genetic testing confirmed that our third president fathered two families separated by color, she sensed that she would eventually sculpt a book from the scandal.
In memory of T-Model Ford.
Though they started slow and sparse, Ford’s songs revved up quickly, clattering along like a procession of old Cadillacs, their motors jimmied together with wire hangers, the rhythms more beautiful for their brokenness.