A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

NASA astronaut Ronald McNair is the cover star of the 21st Annual Southern Music Issue & Sampler featuring South Carolina! by Oxford American | Nov, 2019

A Points South essay from the Fall 2019 issue This approach, of stitching different strands of colored yarn through canvas so many times that the individual strings join in a subtle and collective harmony, leads to an image made of… by William Browning | Sep, 2019

A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Three features Arkansas’s “cemetery angel,” Ruth Coker Burks, John Jeremiah Sullivan’s “Three Encounters” + a performance by Los Texmaniacs. For more information visit oxfordamerican.org/pointssouth. by Sara A. Lewis | Oct, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

There's A Whole Lotta Shakin' Goin On: A Timeline of Louisiana Music

Music Row has witnessed a curious trend towards France—once responsible for freedom fries and stigmatized for its liberal socialism—as an emerging, prominent country signifier.

Aaron Norberg’s project Open Field shows us landscapes in the midst of transition. Whether they are being clear-cut, filled with more earth, or reclaimed by nature, these landscapes are all managed and ultimately shaped by man.

An installment of Big Chief Tablet.

Joe Bageant’s book Deer Hunting with Jesus, a rural Virginia native’s emic look—and deft analysis—of the political mindset, faithfully Republican as it is, of working-class America, came out in 2007. Back in those days this country was in the late-afternoon—not quite twilight, mind you—of George W. Bush’s eight years in office, and had still another year of unbridled prosperity ahead before the economic tidal shift we now call the Great Recession. Shoot, cousin, things are a whole lot different now.
I usually get “this minimalist prose” or “simplistic prose.” If they’re so simple, you try doing it! I’ve worked my ass off to make those stories feel conversational. I’ve put a lot of work into creating something that’s practical—like a table, practical and to be used.
He began writing a sketch of an idea for a novel, to try something different. He wanted the novel to be a fictionalized account of a very rough period of his life in the early nineties, and he knew the title would be Slam Dancing In The Pews, the name of a forgotten song he once wrote for a forgotten band called Virgil Kane. A songwriter at heart, Hood started interspersing song lyrics in between chapters of the book, but predictably, the songs quickly became more central. He decided to abandon the book altogether.

The project Ecotones by Gary Pilcher takes the ecological transition zones of coastal Georgia as its subject matter. Most of his images depict a screen of light and color that overlay the subtle details of a landscape underneath.

So it was a summer night in Manhattan, and the City Winery, an upscale sit-down club that seats no more than three hundred, was hardly full. Moore sang the first verse from backstage, as if his tenor, now fragile and weathered but still unmistakably, shockingly powerful, was the legend, not Moore himself. When he finally did take the stage, the seventy-six-year-old took his time snatching the show back from his voice, from the idea of another era, a time long past.

In performance, Edgar looks like the child of his stories. He cocks his head and raises his eyes slowly, like a boy caught delivering a Valentine. His hands he keeps close, sometimes turning his wrists outwards at the hips, sometimes tying his long, pale fingers together and pressing them to his huddled body.