A Points South story from the Fall 2018 issue
In the evenings, after the day’s rain, my grandfather drove through Starke counting cars in the lots of other motels, doing the math and feeling like a winner. For guests visiting family members held in the nearby state prison, home of Florida’s electric chair, he offered a special rate, either out of sympathy or, envisioning the stream of customers who would return once a month, good business sense. (Probably both, my mother says.)
An installment in our weekly series, The By and By.
I listened to “Just Like You” by Keb’ Mo’ over and over again the same way I did when I was working at a coffee shop when I was in college. Keb’ is singing, “I feel just like you and I cry just like you and I heal just like you and I break down just like you,” and I'm wondering if people would actually live their lives differently if they listened to that song every morning before they went out into the world or interacted with other people.
A poem from the Summer 2019 issue.
Fieldstones covered with velvet in emerald mark the heads of graves
a deeper depression in the ground means there was a casket that deteriorated causing the
earth to cave in
shallower dents in the earth mean only linen shrouds wrapped the bodies
The images in Michael Wriston’s project, Ask and it Shall Be Given to You, traverse the often unseen, rural corners of Alabama, Georgia, and South Carolina, capturing the stillness and vivid life of small towns, their residents, and the land that holds them.
Southbound: Photographs of and about the New South is an unprecedented photography exhibition comprising fifty-six photographers’ visions of the South over the first decades of the twenty-first century. Accordingly, it offers a composite image of the region. The project’s purpose is to investigate senses of place in the South that congeal, however fleetingly, in the spaces between the photographers’ looking, their images, and our own preexisting ideas about the region.