A feature essay from the North Carolina Music issue. I don’t know if Kenny Mann has ever been in therapy, but I do know that he is exceedingly honest and possesses an uncommon sense of self-awareness. He willingly raises and… by Abigail Covington | Mar, 2019

 A Letter from the Editor, Spring 2019. Though I don’t believe new parents must be homebound, another truth of my current season is that my movements are mostly limited to house and office and places in between. So more than… by Eliza Borné | Mar, 2019

A feature story from the North Carolina Music Issue.  The Wrays had an old-world, Keatsian melancholy. It bloomed in the kitchen of their 6th Street home in Portsmouth, Virginia, where, from about 1951 to ’55, they recorded songs on a… by John O'Connor | Nov, 2018

A poem from the North Carolina Music Issue. My burnt body hangs crisscross over Carolina beach dunes below where family gathers children’s ringing sand splash toys tangled in teenage lust the skin consciousness potential of everyone eyeing one another in sunbursted bottoms there… by Benjamín Naka-Hasebe Kingsley | Nov, 2018

A feature essay from the North Carolina Music Issue.  Rapsody now dons the mantle for a long tradition of black women, particularly those from the South, forcing Americans to look in the mirror of our professed ideals and to face… by L. Lamar Wilson | Nov, 2018

A Points South essay from our North Carolina Music Issue.  After twenty-four years of educational experimentation and financial struggle, Black Mountain College closed in 1956. Today it is remembered primarily for its tremendous impact on the visual arts. Among the… by John Thomason | Nov, 2018

A Points South essay from the North Carolina Music issue. My hometown is just over an hour from Myrtle Beach, and so it was not unusual for people to make the pilgrimage to the Pad or the Spanish Galleon or… by Jill McCorkle | Nov, 2018

Track 20 – “Mill Mother’s Lament” by Ella May Wiggins; Performed by Shannon Whitworth Ella had grown up in the Smoky Mountains, first on farms and then in lumber camps, where she and her mother took in laundry while singing… by Wiley Cash | Nov, 2018

An installment of Big Chief Tablet.

In her photographs White contrasts landscapes from Mississippi with scenes from Maine. White’s work speaks to the experience of travel. Not only the pleasure of seeing a new landscape with its unfamiliar textures and light, but also our tendency to seek out the forms and landscapes that remind us of home.

Six cuts from The Oxford American's Louisianacompilation, plus fun miscellany.

Between 1929 and 1934, Amédé Ardoin recorded seventeen two-sided 78-rpm records, all of which Christopher King has gathered, studied, and sequenced over two compact discs. Why is Ardoin so important to King? “I just naturally, intensely, obsessively gravitate toward music that is emotionally unhinged.”

There's A Whole Lotta Shakin' Goin On: A Timeline of Louisiana Music

Music Row has witnessed a curious trend towards France—once responsible for freedom fries and stigmatized for its liberal socialism—as an emerging, prominent country signifier.

An installment in John T. Edge’s Points South column, Local Fare.

Calamity and travel arrest time. They beg focus and feed insights. Tourism has taken on some of the functions that religion once served. Here in America, we have ritualized restaurant going, embracing time at table as a cultural passkey, just as we previously codified sightseeing and museum going. Each effort shows respect for (and belief in) a society, a community, a place.

Aaron Norberg’s project Open Field shows us landscapes in the midst of transition. Whether they are being clear-cut, filled with more earth, or reclaimed by nature, these landscapes are all managed and ultimately shaped by man.