When I was a kid in 1970s Memphis, limousines were a rare sight, though two would occasionally appear in traffic. From the backseat of our family station wagon, we’d scream for Mother to pull up closer. We’d know whose it was by the license plate. Elvis Presley’s was not customized. Isaac Hayes’s read MOSES, referring to his nickname, Black Moses. He was leading people to the Promised Land.
One Sunday night a month, around 8:30 P.M., or whenever the long, narrow, art-bedecked space of Canvas Lounge finally fills with revelers, the strains of “Let There Be Praise,” sung by Sandi Patty, the ’80s- and early ’90s-ruling inspirational star with two first names, come through the P.A. With the final perky, theatrical note still ringing in the air, the bar’s proprietor, playing the part of Pastor Peter in plaid polyester shorts hiked up to his ribcage and anchored there by a wide white belt, grabs a microphone from the deejay booth and introduces the Dickson Chicks: Marlene, Carlene, and Darlene.
The evening Jimmy died my father was late picking me up from a Webelos meeting. I sat under a Japanese maple and practiced the square knot, the last knot I needed to master before receiving my Arrow of Light badge. Then I could enter Boy Scouts at ten, instead of eleven. Useful for survival, the square knot works as a binding knot. Good for clamping a wound but not the best for carrying things or securing them.
In the series Vanishing Points Michael Sherwin documents the modern sites of previous American civilizations. Sherwin writes, "In my most recent project I explore the ancestry of the American landscape, and reflect upon traditional Western Anglo-American views of nature, wilderness, ownership, and spirituality. The project was inspired by the battle over the use of land that is now the Suncrest Town Center in Morgantown, WV."
In his series Southern Vernacular, Don Norris documents the architecture of the 19th and early 20th century throughout the South. As a landscape photographer Norris is interested in the commonplace, with a focus on in vernacular architecture. He has photographed widely, but especially in small towns and rural settings in the South that prospered before the Civil War, and his photographs have been selected for many national and regional juried competitions and have won several awards.