A Southern Journey from the Summer 2019 issue. In the Tampa exurbs, splashed across the side of a half-occupied strip mall, is a vast mural depicting the Victorian art critic-cum-philosopher-cum-political economist-cum-painter-cum-social reformer John Ruskin. He gazes out at an expanse of… | Jun, 2019
The evening Jimmy died my father was late picking me up from a Webelos meeting. I sat under a Japanese maple and practiced the square knot, the last knot I needed to master before receiving my Arrow of Light badge. Then I could enter Boy Scouts at ten, instead of eleven. Useful for survival, the square knot works as a binding knot. Good for clamping a wound but not the best for carrying things or securing them.
In the series Vanishing Points Michael Sherwin documents the modern sites of previous American civilizations. Sherwin writes, "In my most recent project I explore the ancestry of the American landscape, and reflect upon traditional Western Anglo-American views of nature, wilderness, ownership, and spirituality. The project was inspired by the battle over the use of land that is now the Suncrest Town Center in Morgantown, WV."
In his series Southern Vernacular, Don Norris documents the architecture of the 19th and early 20th century throughout the South. As a landscape photographer Norris is interested in the commonplace, with a focus on in vernacular architecture. He has photographed widely, but especially in small towns and rural settings in the South that prospered before the Civil War, and his photographs have been selected for many national and regional juried competitions and have won several awards.
Every state in the South has contributed to the grand narrative of American music, but few can match Tennessee’s deep roots in the blues and jazz, gospel, soul and r&b, rockabilly, rock & roll, and country—or its tremendous concentration of historic record labels and music industry visionaries.