Every so often there is a book of poetry that reminds us how well verse can speak history. The Forage House by Tess Taylor is one of those time capsules. Taylor, who is also the author of The Misremembered World, is a white descendant of Thomas Jefferson. When genetic testing confirmed that our third president fathered two families separated by color, she sensed that she would eventually sculpt a book from the scandal.
In memory of T-Model Ford.
Though they started slow and sparse, Ford’s songs revved up quickly, clattering along like a procession of old Cadillacs, their motors jimmied together with wire hangers, the rhythms more beautiful for their brokenness.
When I got the news I pulled off I-65 North and nosed into the Spalding University Library. En route from Nashville to Cleveland, it felt like someone had punched me in the stomach. Chet Flippo—the storied Rolling Stone editor who’d gone toe-to-toe with Mick Jagger, smoked cigars with Uma Thurman, helped land Willie Nelson dressed as Uncle Sam on the cover of the magazine, igniting my pre-teen imagination—had died.
"Since daybreak, I had been wandering around Cadillac Ranch, an enormous outdoor sculpture made from ten classic Cadillacs planted hood-first in the middle of a wheat field in Amarillo, Texas, abutted by a cluster of RV parks and motels. Erected in 1974 by the art collective known as Ant Farm, the “Stonehenge of the Panhandle” has become one of the most beloved attractions along Route 66. Part of the Ranch’s appeal comes from its conspicuous absence of velvet ropes, viewing hours, and annoying wall texts."
The story of how two women, Clifton and Byrd Lewis—are fighting to save one of Frank Lloyd Wright's creations, Spring House. Wright never saw the house, but the son of the architect who worked on it says, "There's a spirit to this house, a sense of timelessness, permanence, truth, and beauty." The house, though still standing, needs at least $250,000 worth of repairs to keep it from crumbling.
We would argue that Bayou Maharajah, which won our 2013 Best Southern Film Award, is one of most culturally important documentaries made in recent years. Through a stunning collection of dreamlike montages of New Orleans streets, rediscovered footage of Booker's performances, and interviews with Booker's admirers (including musical icons Irma Thomas and Allen Toussaint), Keber grants us access into the life of a uniquely talented and unjustly neglected American musician.