A Points South essay from the North Carolina Music Issue. Shortly after publishing the biography John Coltrane: His Life and Music, Lewis Porter received a letter from a man who identified himself as a Coltrane. Only not, presumably, one related… by Benjamin Hedin | Nov, 2018

A Points South essay from the North Carolina Music Issue. I heard voices down the hall and followed them into the recording room, where I found Soul Council producer Kash talking with Tia Watlington, Jamla’s director of product management, and… by Dasan Ahanu | Nov, 2018

A Points South essay from the North Carolina Music Issue. I first heard Wesley Johnson’s name in 2008 while speaking with Carlotta Fleming (née Samuels) about her vocal group, Odyssey 5. After recording their lone LP, First Time Around, for… by Jon Kirby | Nov, 2018

A Points South essay from the North Carolina Music Issue. In Ryan Adams, the mythic memory of Thomas Wolfe is reincarnate in a contemporary host: an emotional kid from a marginal city in North Carolina with a precocious—underlined—and prolific—triple underlined—talent… by Maxwell George | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A Points South essay from the North Carolina Music Issue. Around the close of the 1950s, if you wanted to hear the beginnings of the funk music that James Brown would soon introduce to the world, you wouldn’t find much… by Sarah Bryan | Nov, 2018

A poem from the North Carolina Music Issue. It rises from dust, rakes in the populace, feeds them fried Twinkies, fried trees if they could put them on a stick and powder them in sugar. Bodies bunch up: the perfumed, the balmy, the whole… by C. L. White | Nov, 2018

A feature essay from the North Carolina Music Issue. Perverse? Yes. Blasphemous? Maybe. But not irreconcilable. To contemplate the meaning of Jodeci is to grasp at the intersection of religion and excess, of devotion and abandon, of agape and eros—a… by Lauren Du Graf | Nov, 2018

A Points South essay from the North Carolina Music Issue. Funk can be a sense of place, transmigratory memories filtered through the nose. For George Clinton, the smell of pig shit crosses state lines. “I remember feeding them pigs. I… by Dave Tompkins | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Jill McDonough

Three-time Pushcart Prize winner Jill McDonough is the recipient of Lannan, NEA, Cullman Center, and Stegner fellowships. Her books include Habeas Corpus and Where You Live. She directs the MFA program at UMass-Boston, as well as 24PearlStreet, the Fine Arts Work Center online.

July 22, 2015

While Henry Lee McCollum and Leon Brown sat in prison, my sisters and I went on school trips to the Biltmore House and Six Flags; we took family trips to Blowing Rock, Chimney Rock, Sliding Rock, Callaway Gardens. By the time I memorized the counties of North Carolina for Mrs. Eddington’s sixth grade class, Brown and his stepbrother had been on death row a couple years.

May 29, 2015

A poem from our spring 2015 issue, read by the author.

Days of kalmia, azalea, Blue Ridge. Nights
of steak on the grill, canvas chairs with cupholders,

cans of Stag and Blatz, Schlitz we lift from ice.
The fork in the firepit, stainless steel gone ember orange.