Chantel is a freelance journalist. She is at work on a cultural biography of Copenhagen's Little Mermaid statue.
Outside, it is humid even by Florida standards, made all the worse by machines pumping fog into the heavy air. Red emergency lights revolve in silence; floodlights splatter ruddy light on walls and puddle it on the ground. Speakers snarl or hum with elegiac music that is vaguely Gregorian. Sconces belch fire; the flames go up like a mimicry of startled park goers, in sudden gaps.