A poem from the Fall 2018 issue. The girl born at the edge                   of a copper-colored river returns, prefers her wrists                          … by Sandy Longhorn | Sep, 2018

An installment in John T. Edge’s Points South column, Local Fare. Time at Helen’s raises questions, small and large. Other than great barbecue, and my respect and affection for the woman who owns the restaurant, what calls me to Brownsville?… by John T. Edge | Sep, 2018

A Points South essay from the North Carolina Music Issue. As deeply in love as I was with blaring guitars, exploding amps, and metallic raving, I’d also been listening to James Taylor’s more intimate style of music since his first… by Will Blythe | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Sarah Winchester and the legacy of living with guns  It’s difficult to understate how the repeating rifle revolutionized killing, of both animals and man, as it brought the world from the single-shot muzzle-loaded rifle to a gun that could hold multiple… by Sara A. Lewis | Sep, 2018

A feature essay from the Fall 2018 issue. One morning in the summer of 1996, Damian Hart was standing naked on a pier in the Aegean Sea. The sun was bearing down on Mount Athos, one of several craggy peninsulas… by Nick Tabor | Sep, 2018

A poem from the Fall 2018 issue. None of this surprises you now, does it? I’m not sure I can know that, I responded to myself. Or I think I did. I should have.  A friend told me to embrace my disorientation here, to attend to… by Curtis Bauer | Sep, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

Alan Lightman

Alan Lightman is the author of six novels, including Einstein’s Dreams and The Diagnosis, which was a finalist for the National Book Award. He is also the author of three collections of essays and several books on science. His work has appeared in The Atlantic, Harper’s, The New Yorker, The New York Review of Books, and Nature, among other publications. Trained as a theoretical physicist, Lightman has taught at Harvard and at MIT, where he was the first person to receive a dual faculty appointment in science and the humanities. He lives in the Boston area.
February 06, 2015

An exerpt from The Screening Room: Family Pictures.

“Did you know how your grandfather M.A.’s heart attack really happened?” Lennie says to me, smiling slyly and sipping her bourbon. “What do you mean?” “Exertion, bien sur. The best kind. And not with your grandmother.” Lennie lights a new cigarette and wriggles her stocking covered toes, poised to let fly another story. Cousins nudge forward in their reclining chairs. Someone moans from the pool, the next generation, and Lennie exhales a cool cloud of blue smoke.